贾樟柯电影《山河故人》中的媒介景观研究

发布时间：2018-01-20 00:16

本文关键词： 贾樟柯《山河故人》媒介环境景观社会　出处：《吉林大学》2017年硕士论文　论文类型：学位论文

【摘要】：贾樟柯作为中国新生代电影导演群体的中坚力量,与“第五代”导演的独特叙事方式相较,存在着很大的差异性,以其宏观的叙事手法,补充了个人对于历史的记忆,将中国现代过程中体现的复杂与偶然因素展现的客观与清晰,同时关注于社会底层边缘人在此过程中的生存境遇。一直游离在体制外制作“独立电影”,直至2005年电影《世界》的全球首映和国内解禁公映,贾樟柯的电影才浮现在当代电影的公开展示当中,从而引起了世人的关注。贾樟柯导演的新作不断问世,同时缺少电影产业的市场份额,直至2015年《山河故人》的上映,使独立电影有了票房的突破,也更多的引起了大众对于贾樟柯式电影的关注。不同于之前的作品,贾樟柯拓宽了视野、时空的跨度、媒介意象的景观定义,赋予了《山河故人》对于人物未来的期许和血脉不息的情怀。因此对于贾樟柯电影的独立性、具象研究、电影文本叙事以及社会化文化意义方面的学术性探索就显得十分重要,其意义与影响力对于当今的电影行业中的文艺电影有着更多的借鉴与影响。本文主要通过传播学中的景观理论,对于贾樟柯作品《山河故人》的叙事要素进行分析和梳理,从叙事角度、时空建构、媒介景观的理论基础对《山河故人》中的人物身份、时空转变背景下的剧情发展以及社会环境下的人物、媒介景观化分析,不同于以往贾樟柯电影的叙事手法,《山河故人》中的人物在三个不同的时间与空间的环境下,人物之间的意识形态的碰撞与更迭,同时也增加了诸多时代新闻的影子,并希望用语言的力量来讲述一部关于差异文化与身份认同的故事。本文对贾樟柯导演的《山河故人》为主要分析与解读的载体,同时论证其电影中不同阶段与背景下的情节中时间意识与具象空间结合的叙事特点,走出故乡阶段在叙事结构上愈加复杂与多样化、客观化视角的运用。多种叙事主题的表达集合多种景观社会特征,塑造人物的社会文明发展的不同阶段,审视、辩证城市与农村的关系,小人物的自我景观化在景观社会中的自我发展的转变,以及在媒介传播的环境下,人类社会景观结构不断发生改变的过程。最后不仅需要总结出贾樟柯在叙事风格、美学研究的特质,更多的需要通过人物、剧情、手法的多元分析与审视,结合更多传播学理论思想,同时与以往的作品进行同质化分析与区别研究,重塑具化人物景观与景观社会在媒介环境下的颠覆与重组,为反思当下电影与中国社会现实提供一些启示,同时对独立电影如何更好的结合商业因素,才能够健康有活力的成长,提供一些参考意见。
[Abstract]:Jia Zhangke, as the backbone of the new generation of Chinese film directors, has great differences with the unique narrative methods of the "fifth generation" directors. It complements the individual's memory of history and shows the objectivity and clarity of the complex and accidental factors embodied in the modern process of China. At the same time, it pays close attention to the living conditions of the underprivileged in this process. It has been making "independent films" outside the system until 2005, when the film "the World" was released globally and released at home. Jia Zhangke's films have just emerged in the public display of contemporary films, which has attracted the world's attention. Jia Zhangke's new works continue to come out and lack the market share of the film industry. Until 2015, the release of the Old Man of the Mountains, the independent film has made a breakthrough at the box office, but also attracted more public attention to the Jia Zhangke movie. Different from the previous works, Jia Zhangke broadened his horizons. The span of time and space and the definition of the landscape of the medium image endow the expectation of the future of the characters and the endless feelings of the blood in the past of the Mountain River. Therefore, the independence of Jia Zhangke's films is studied concretely. The academic exploration of film text narrative and socialized cultural significance is very important. Its significance and influence for the film industry in today's literature and art film has more reference and influence. This paper mainly through the landscape theory of communication. This paper analyzes and combs the narrative elements of Jia Zhangke's works "the late Man of the Mountain River", from the perspective of narration, the construction of time and space, the theoretical basis of the media landscape to the identity of the characters in "the late Man of the Mountain River". The plot development under the background of space-time change and the characters in the social environment, the media landscape analysis, is different from the previous narrative techniques of Jia Zhangke films. In the three different time and space environments, the ideological collision and change among the characters in the Mountain River Old Man has also increased the shadow of many times news. And I hope to use the power of language to tell a story about different culture and identity. At the same time, it demonstrates the narrative characteristics of the combination of time consciousness and figurative space in the plot of different stages and backgrounds in his films, and goes out of the hometown stage in the narrative structure more complex and diversified. The use of objective perspective. The expression of a variety of narrative themes collection of a variety of landscape social characteristics, shaping the characters of the different stages of the development of social civilization, examine, dialectical relationship between the city and rural areas. The transformation of the self-landscape of the little man in the landscape society and the environment of media communication. Finally, we should not only sum up Jia Zhangke's narrative style, aesthetic characteristics, but also need to analyze and examine the characters, plots and techniques. Combined with more communication theory, at the same time with the previous works of homogenization analysis and difference research, reshaping the character landscape and landscape society in the media environment of subversion and reorganization. To reflect on the current film and the reality of Chinese society to provide some enlightenment, while how to better integrate the commercial factors of independent film, can be healthy and dynamic growth, provide some reference.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905;G206

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