互联网时代主旋律影片的困境与突围——以《百团大战》为例

发布时间：2018-01-20 01:08

本文关键词： 电影艺术中国电影创作主旋律电影互联网传播意识形态百团大战　出处：《艺术百家》2016年01期 　论文类型：期刊论文

【摘要】：由于互联网从传播的底层改变了文艺作品的生产、消费与接受,所以面对这层新近叠加的互联网因素,主旋律电影要想在互联网时代完成彻底的转型,其所要进行的改变也就变得更繁杂。从另一个维度上讲,也正是由于互联网传播的颠覆性,主旋律电影未尝不是迎来了其难得的转型机遇。文章结合《百团大战》这部典型主旋律电影进行解读,对互联网时代的主旋律电影的困境与出路进行有效的阐释。
[Abstract]:Because the Internet has changed the production, consumption and acceptance of literary and artistic works from the bottom of the communication, so in the face of this layer of newly superimposed Internet factors, the theme movies want to complete the complete transformation in the Internet era. The changes it is going to make are more complicated, and from another dimension, because of the subversive nature of the Internet. The theme movie has ushered in its rare opportunity of transformation. This paper explains the dilemma and outlet of the main melody film in the internet age.
【作者单位】：山东大学文学与新闻传播学院;
【分类号】：J905
【正文快照】： Dilemma and Breakthrough of Theme Film in the Internet Era:Taking Hundred-Regiment CampaignWANG Chuan-ling(School of Literature and Journalism,Shandong University,Jinan,Shandong 250100)作为纪念中国人民抗日战争暨世界反法西斯战争胜利70周年的主题电影,《百团

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