当下中国电影的类型重组与价值取向的错位

发布时间：2018-01-23 03:30

本文关键词： 类型电影电影产业类型重组价值悖论观众监督　出处：《上海大学学报(社会科学版)》2017年03期 　论文类型：期刊论文

【摘要】：在电影产业化的当下,为应对市场的多重需求,由以往电影类型重组或转化而来的新类型电影不断涌现。然而,新事物往往也会伴随着新问题。从我国类型电影重组的时空和文化语境出发,进而分析和反思类型电影在重组过程中所出现的一些弊端,同时对在电影类型重组过程中如何兼顾商业性、文化性和审美趣味,以应对日趋激烈的市场挑战,又如何坚持正确的社会导向来抵御以好莱坞电影为首的外来文化的冲击等问题上,作出一些思考。
[Abstract]:In the present period of film industrialization, in order to meet the multiple demands of the market, the new types of films, which have been reorganized or transformed from the past, are constantly emerging. New things are often accompanied by new problems. Starting from the time and space and cultural context of the recombination of type films in China, this paper analyzes and reflects on some drawbacks of the recombination process of type movies. At the same time, how to take commercial, cultural and aesthetic taste into account in the process of recombination of film types, in order to meet the increasingly fierce market challenges. And how to adhere to the correct social orientation to resist the impact of foreign culture, such as Hollywood film, and other issues, to make some thinking.
【作者单位】：上海大学上海电影学院;
【基金】：上海大学电影学高峰学科项目资助(2016)
【分类号】：J905
【正文快照】： 当旧有电影题材和类型渐渐无法满足市场需求的时候,由以往电影类型重组或转化而来的新电影类型就会及时补位。这是时代变化与审美消费转变的产物,也是市场新动向、新追求的具体反映。然而,一种价值取向上的错位却也伴随电影的类型重组而生:一方面,票房收入很高;另一方面,意义

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