2000年以来台湾青春电影研究

发布时间：2018-01-23 05:10

本文关键词： 台湾电影青春电影亚类型青春成长　出处：《四川师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：2000年以来,台湾青春电影已逐渐成长为台湾电影市场的主流类型,其独特的故事设计与风格特征,深受两岸电影观众的拥趸,为台湾电影产业开辟了新的出路。本文通过对新世纪以来台湾青春电影片目的梳理和分类,结合类型电影、社会学、文化学以及叙事学等研究方法,立足于台湾电影现状,致力于从生产机制、社会背景及创作主体出发,探讨2000年以来台湾青春电影的发展特征。本文首次对台湾青春电影作为一个整体题材进行亚类型分类,并从叙事主题、主创特点、演员风格,以及故事发生的城市背景即叙事语境等角度,分析当下台湾青春电影的总体特色和风格。本文以2000年以来台湾青春电影为研究对象,重点分析“青春”母题之下的亚类型分类特点及代表作品。全文除绪论和结语之外,主要分为五个章节。即:第一章,从青春电影的定义到台湾青春电影的兴起,对台湾青春电影的发展进行简要概述;第二章,以青春电影主创年轻化、导演创作群体的性别特征与风格形成以及青春电影演员风格为着眼点,分析新世纪以来台湾青春电影创作主体的特点;第三章,为本文重点分析内容,对台湾青春电影亚类型进行分类,并结合具体影片片目,对台湾青春电影亚类型进行分类研究;第四章,分析台湾青春电影中出现的城市空间、城市文化及流行音乐,对青春电影的创作与发展带来的影响;第五章,立足于台湾电影产业的发展现状,阐释青春电影对台湾电影和华语电影的贡献。
[Abstract]:Since 2000, Taiwan's youth films have gradually grown into the mainstream of Taiwan's film market, its unique story design and style characteristics, deeply supported by the film audience across the Taiwan Strait. This paper combs and classifies the aim of Taiwan's youth film since the new century, and combines the research methods of genre film, sociology, culture and narratology. Based on the current situation of Taiwanese films, we are committed to starting from the production mechanism, social background and creative subject. This paper discusses the characteristics of the development of Taiwan's youth films since 2000. For the first time, this paper classifies Taiwan's youth films as a whole, and classifies them from the narrative theme, the creative features and the style of the actors. And the urban context of the story, such as narrative context, to analyze the overall characteristics and style of the current Taiwan youth film. This paper takes the Taiwan youth film as the research object since 2000. This paper focuses on the characteristics of subtype classification and representative works under the motif of "Youth". In addition to the introduction and conclusion, the full text is divided into five chapters. That is: chapter one. From the definition of youth film to the rise of Taiwan youth film, the development of Taiwan youth film is briefly summarized. The second chapter analyzes the characteristics of Taiwan's youth films since the new century, focusing on the rejuvenation of youth films, the formation of the gender characteristics and style of directors' creative groups and the style of young film actors. The third chapter focuses on the analysis of the content of this paper, the subtypes of Taiwan youth films are classified, and combined with the specific film category, the subtypes of Taiwan youth films are classified and studied. Chapter 4th analyzes the impact of urban space, urban culture and pop music on the creation and development of youth films in Taiwan. Chapter 5th, based on the current situation of Taiwan film industry, explains the contribution of youth film to Taiwanese film and Chinese film.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

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