电影艺术对当代乡土小说的重构

发布时间：2018-01-24 10:24

本文关键词： 电影文学乡土小说重构　出处：《西安建筑科技大学》2013年硕士论文　论文类型：学位论文

【摘要】：电影从诞生之日开始，与文学就保持着密不可分的关系，这首先表现在电影在成长发展过程中，受到包括文学在内的各门成熟艺术的影响。中国当代乡土小说与电影艺术关系也非常密切，乡土电影与原著小说的关系研究是电影与文学研究的拓展。可以说，当代乡土小说作品为乡土电影提供了广泛的剧本来源，国内乡土电影市场之所以繁荣，当代乡土小说功不可没。从撰稿者、文本、受众、语言风格、手段、美学等角度而言，小说和电影是两种完全不同的传播媒介。按照麦克卢汉的观点，小说属于冷媒介，所提供的信息少，让接受者的参与程度高；而电影属于热媒介，所提供的信息多，从而让接受者的参与程度低。以当代乡土小说与乡土电影为例，就会发现这二者拥有对乡土生活状况的传递以及时代、地域对人的心理造成的变化的深刻剖析，当代乡土小说、乡土电影在艺术情感的表达、独特的文化阐释和深刻的历史感悟上达成了完美的融合。特别是前者关于地域、民族、时代、发展的表达成为了后者的核心，并以此提升了电影艺术的思想深度和艺术感染力。后者对当前者的改编，既有遵循、继承的痕迹，也有在故事情节、人物形象、视听影音等方面的再创造、再加工的过程，实现了对原作的转意，从而在整体上起到了重构作用。基于以上认识，本人从对电影艺术的个人兴趣出发，结合自己近年来以当代乡土小说为主的文学作品的研读，对电影艺术与当代乡土小说之间的相互影响进行了初步的观察和思考，最终选择以“电影艺术对当代乡土小说的重构”作为毕业论文的研究课题。本论文在力求对当代乡土小说、电影艺术两者在相互交融中出现的状况进行探讨和论述的基础上，试图更多地侧重分析当代乡土小说如何更好地借用于电影艺术的科技手段得以重新构建，以及这二者之间如何相得益彰，进行一些有益的探索。本论文主体内容分为四个部分。论文的第一部分从论述研究背景、研究现状入手，去呈现基本思路及内容，并揭示课题的研究意义；第二部分重点阐述乡土小说的内涵和发展，对十七年中国乡土小说、“文革”时期乡土小说、新时期乡土小说、乡土小说的多元化发展进行了较为系统的诠释；第三部分主要论述电影艺术与当代乡土小说的关系，由于电影艺术与科学技术的进步密不可分，故而对当代乡土小说的文本转变为图本时起到了重要作用；第四部分在探讨的基础上梳理电影艺术对当代乡土小说的继承与转意，主要通过对还原叙事、艺术创造、内涵拓展、精神图景、传播媒介等层面进行探讨，并提出了建议与思考。本论文所作的研究与探索，是国家社科基金西部专项“当代文学的新乡土叙事比较研究”（2011年度，，立项号：11XZW019）子课题之一。
[Abstract]:Film has been closely related to literature since its birth, which is first reflected in the influence of various mature arts, including literature, in the process of its growth and development. The relationship between Chinese contemporary local novels and film art is also very close. The study of the relationship between local films and original novels is an extension of the study of film and literature. Contemporary vernacular novels provide a wide range of screenplay sources for local films, and the prosperity of the local film market in China has contributed to the contemporary vernacular novels. From the angle of writer, text, audience, language style, means and aesthetics, novels and movies are two completely different media. According to McLuhan, novels belong to cold media. The low level of information provided allows for a high level of participation on the part of the recipients; The film is a hot medium, providing a lot of information, so that the recipient's participation is low. Take contemporary local novels and local films as an example, we will find that these two have profound analysis of the transmission of local life conditions and the changes caused by the times and regions to people's psychology, and the contemporary local novels. The expression of artistic emotion, the unique cultural interpretation and the profound historical perception of the local film have reached a perfect fusion, especially the expression of the former about the region, the nation, the times and the development has become the core of the latter. And in this way to enhance the depth of the film art and artistic appeal. The latter adaptation of the current, both follow, inheritance traces, but also in the story, character image, audio-visual and audio-visual re-creation. The process of reprocessing, realized the original meaning, thus played a role in the overall reconstruction. Based on the above understanding, I set out from the personal interest in film art, combined with my recent study of contemporary local novels mainly literary works. This paper makes a preliminary observation and reflection on the interaction between film art and contemporary local novels, and finally chooses "the reconstruction of contemporary local novels by film art" as the research topic of graduation thesis. This paper tries to explore and discuss the situation of contemporary local novels and film art in the mutual blending of the two. This paper tries to focus more on the analysis of how contemporary local novels can be reconstructed by using the scientific and technological means of film art, and how to complement each other and make some beneficial exploration. The main content of this paper is divided into four parts. The first part of the thesis starts with the research background and the present situation, presents the basic ideas and contents, and reveals the significance of the research. The second part focuses on the connotation and development of local novels, and systematically interprets the pluralistic development of Chinese local novels in 17 years, local novels during the "Cultural Revolution", local novels in the new period and local novels in the new period. The third part mainly discusses the relationship between film art and contemporary local novels. Because the film art and the progress of science and technology are inseparable, it plays an important role in transforming the text of contemporary local novels into pictures. Part 4th combs the inheritance and transformation of film art to contemporary local novels on the basis of discussion, mainly through the restoration of narrative, artistic creation, connotation expansion, spiritual picture, media and so on. Some suggestions and thoughts are put forward. The research and exploration made in this paper is one of the sub-topics of the National Social Science Foundation's West China Special Project "Comparative study of New Local narration of Contemporary Literature" in 2011, item No.: 11XZW019.
【学位授予单位】：西安建筑科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I207.42;J905

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