脱域与重构：纪实主义在东方发展中国家

发布时间：2018-02-12 01:13

本文关键词： 纪实主义东方发展中国家电影文化脱域现代性　出处：《上海师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：在电影理论史上，纪实主义和蒙太奇美学曾保持了较长一段时间的对立态势。然而就当下来看，二者在创作上早已呈现出融合的倾向，并且融合的效果已然十分自然。但是这两种电影观念毕竟以不同的向度，在历史上代表着人对电影本性之最高认识，因此，，这两种经典电影观念依然值得我们继续探讨。随着数字技术和虚拟现实技术在电影领域的应用，电影符号、世界和人本身之间的关系需要被重新讨论，重点关注“真实”的纪实主义应该是这一话题中的讨论重点。在全球化日益深入的今天，纪实主义的跨文化传播问题应该得到更加深入的探讨，尤其是其在东方发展中国家的影响，更是应该放在文化研究与美学重释的双重视角下进行更加深入、全面的研究。东方发展中国家的电影创作几乎在相同的时间崛起于世界影坛，本身是可以作为一个整体加以研究的，不同地区的创作经验也可以互相比较借鉴。借助安东尼吉登斯的“脱域”概念，这一文化传播现象可以得到更为清晰的概览，并且获得一种现代性的视角。东方发展中国家本土现代化进程中的现代性经验，即断裂体验、认同困境、选择焦虑在艺术家的审美体验下被融入纪实主义电影语言之中，成为世界影坛上一种别具一格的电影形态，并且，东方发展中国家各个地域的艺术思维中既有与纪实主义的抵牾成分，也有便于其融合的成分。这一点的复杂性理应得到充分的强调，藉此，纪实主义与东方艺术思维的抵牾与融合问题便得以思考的更加深入，进而便可理解，纪实主义本身在艺术形式上对文化固有性的天然强调和在美学追求上对文化超越性的不断探寻是如何融入东方发展中国家电影文化的机理，成为其电影文化的发展动力。
[Abstract]:In the history of film theory, documentalism and montage aesthetics have maintained a long period of antagonism. And the effect of fusion has already been very natural. But these two kinds of film concepts, after all, in different directions, represent the highest understanding of the nature of film in history, therefore, These two classic movie concepts are still worth exploring. With the use of digital and virtual reality technologies in the field of film, the relationship between film symbols, the world and the human being needs to be revisited. The focus on "truthfulness" should be the focus of discussion on this topic. With the deepening of globalization, the cross-cultural communication of documentalism should be discussed more deeply. In particular, its influence in the developing countries of the East should be further deepened from the perspective of cultural research and aesthetic reinterpretation. A comprehensive study. The Eastern developing countries' film creation almost at the same time rise in the world film world, itself can be studied as a whole, different regions of the creative experience can also be compared with each other. Giddens' concept of "delegitimization", the phenomenon of cultural communication, can be seen more clearly and from the perspective of modernity. The experience of modernity in the process of local modernization in the developing countries of the East, that is, the experience of breaking up and identifying with the predicament, can be found in the process of local modernization in the developing countries of the East. Under the aesthetic experience of the artist, the choice anxiety is integrated into the documentary film language, and becomes a unique film form in the world film world, and, The complexity of the artistic thinking in various regions of the developing countries in the East is not only contradictory to documentalism but also conducive to its integration. The contradiction and amalgamation between documentalism and oriental artistic thinking can be considered more deeply, and then it can be understood. The natural emphasis of documentalism itself on the inherent nature of culture in artistic form and the continuous exploration of cultural transcendence in aesthetic pursuit are how to blend into the mechanism of film culture in the developing countries of the East and become the motive force for the development of its film culture.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.1

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