小津安二郎的都市影像空间（1949-1962）

发布时间：2018-02-22 04:55

本文关键词： 小津安二郎都市空间异托邦　出处：《浙江大学》2013年博士论文　论文类型：学位论文

【摘要】：作为世界电影史中相当重要的一个导演,小津安二郎的经历充满了传奇的色彩。这个传奇不仅限于他恰好一甲子的寿命和阳春白雪的影像风格,更是对于他死后几十年在电影史地位变化的总结。从不为日本以外的世人所知直到现在声誉卓著,大有赶超传统的日本电影代表人物黑泽明和沟口健二之势,这样戏剧性的起落是无法仅仅通过学界已有的大量针对电影本体的研究来解释的。本文力求从小津影像所呈现的都市空间的角度进入小津安二郎研究,试图从中寻找出发生这个变化的合理性解释。本论文将以列斐伏尔提出的空间理论为出发点,以福柯关于异托邦的定义为关键词,以迈克尔·迪尔关于电影空间的理论为构架,结合文化研究、女性主义研究、后殖民批评等批评理论对于小津安二郎的影像空间进行全面的解读。通过集中从影像空间的角度仔细审视小津的作品,本文试图对于这些影像的当下意义提供这样一种解释：小津安二郎用一个充满了生老病死的世俗外壳包装了一个高度精简提炼过的虚拟空间,为都市居民提供了一个超越栖身之所的想象。无论是从文本还是超越文本的角度分析,小津安二郎的影像世界都比纯粹的幻想更真实,又比真实的社会更幻想。这样的影像可以在福柯的异托邦理念那里找到精准的定义。而这种亦真亦幻的乌托邦的镜像体验也是小津安二郎的都市影像之于当下人类社会的意义。
[Abstract]:As one of the most important directors in the world's film history, Ajiro Kozin's experience is full of legends. This legend is not limited to his life span and his image style. It is also a summary of the changes in his position in the history of film in the decades since his death. From being unknown to the world outside Japan until now, there is a tendency for him to catch up with the traditional Japanese film representatives Kurosawa and Kazuo Mizuchi. This dramatic rise and fall can not be explained by a large number of studies on film ontology that have been made in academic circles. This paper tries to enter the study of Ojin Anjiro from the perspective of the urban space presented by Ozu's images. This paper is based on the space theory put forward by Lefeivoll, Foucault's definition of heterotope as the key word, and Michael Deere's theory on film space as the framework. In combination with cultural studies, feminist studies, post-colonial criticism and other critical theories, the author makes a comprehensive interpretation of Koizin's image space. By focusing on the perspective of image space, he carefully examines Ozu's works. This paper attempts to provide an explanation for the immediate meaning of these images: Ajiro Kozin has packaged a highly streamlined virtual space in a secular shell full of old, sick and dead. Provides a vision for urban dwellers beyond shelter. Whether from the perspective of text or beyond, the image world of Ajiro Kozin is more real than pure fantasy. Such images can be defined precisely in Foucault's idea of heterodonism. And the mirror experience of utopia, which is also true and illusory, is also the meaning of the urban image of Ajiro Kozin to the present human society.
【学位授予单位】：浙江大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J911

【共引文献】