语言与言语——游走在民族间的万玛才旦导演研究

发布时间：2018-02-22 07:20

  本文关键词： 语言 言语 神话原型 纵聚合体 单镜头独立语义段　出处：《当代电影》2017年01期 　论文类型：期刊论文

【摘要】：万玛才旦的电影,叙事极其简单,却为何能产生一种强大的魅力?其根本原因在于他的电影是一种语言学意义上的电影。本文借助索绪尔的语言学理论,对万玛才旦的电影进行了详细分析:万玛才旦的电影偏重于神话原型结构的追寻,偏重于纵聚合体式的叙述方式,侧重于单镜头独立语义段的运用……而恰恰是因为这些,万玛才旦的电影自成系统,自成"语言"。
[Abstract]:Wanma-dan 's film, the narrative is extremely simple, but why can produce a strong charm? The fundamental reason is that his film is a kind of film in the sense of linguistics. This paper, with the help of Saussure's linguistic theory, makes a detailed analysis of the film of Wan Maccaidan: the film of Wan Maccaidan emphasizes on the pursuit of the mythological archetypal structure. Emphasis is placed on the narrative style of longitudinal aggregation, focusing on the use of single shot independent semantic segments, and precisely because of these, Wanma-Caidan 's films form their own system and become their own "language".
【作者单位】： 上海戏剧学院戏文系;
【基金】：国家社会科学基金项目(项目编号:16BZW157)的阶段性成果
【分类号】：J911
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本文编号：1523852