新世纪以来农民工题材电视剧人物形象的喜剧性研究
发布时间:2018-02-24 18:10
本文关键词: 农民工题材电视剧 人物形象 喜剧性 转变 出处:《云南师范大学》2014年硕士论文 论文类型:学位论文
【摘要】:伴随着改革开放,我国出现了一个特有的群体——农民工,这一群体从出现到影响越来越大,逐渐引起了社会各界的关注。于是接连出现了许多以农民工为主人公的电视剧。这些电视剧的创作来源于生活,关注农民工的生活状态,反映他们的生活经历和感情历程。本文将选取新世纪以来农民工题材电视剧人物形象的喜剧性作为研究对象,从农民工题材电视剧的社会背景、文化背景,人物形象的语言、外形、行为,人物形象喜剧性的审美意蕴、人物形象喜剧性的意义,农民工题材电视剧发展中所存在的问题等几个方面来进行研究分析。全文共由四章组成,分别讲述了: 第一,农民工题材电视剧表述的社会背景,他们人口众多,得益于国家政策的颁布,怀揣着赚钱养家的信念来到城市打拼生存。农民工题材电视剧创作的文化背景,1989年出现的第一次民工潮之后,不少新闻记者和社会学者开始通过报告文学和社会学调查的方式关注农民工的各种情况,这一时期,一些电视剧制作者也开始关注这个影响越来越大的群体。农民工城打工的实际处境,他们是二元对立的元素的综合体,是底层生存的边缘群体,有的最终成为城市梦断者,有的则成功圆了自己的城市梦。 第二,对农民工题材电视剧人物喜剧性要素及其艺术价值进行分析。根据人物形象的一般要素,从农民工题材电视剧人物形象的语言、外形、行为、地域因素等几个方面,对农民工题材电视剧人物形象的喜剧性表现来进行分析。并通过现代化的视角来分析民工剧中人物喜剧性的审美及审丑。 第三,从功能方面来对农民工题材电视剧人物形象的喜剧性进行分析。探讨了草根文化的崛起、观众追求精神上的闲适等喜剧性的成因,以及农民工题材电视剧人物形象的喜剧性的实际意义。 第四,就农民工题材电视剧存在的创作者对农民工群体不够了解、观众市场缺失等问题进行了分析,并得出了一定的建议。 最后总结归纳了本文主要论述的内容,进一步指出喜剧性元素在农民工题材电视剧中的重要作用,,并提出了对未来农民工题材电视剧发展的几点思考。
[Abstract]:With the reform and opening up, China has emerged a unique group-migrant workers, from the emergence of this group from the emergence to a growing impact, Gradually aroused the attention of all walks of life in society. As a result, many TV dramas with migrant workers as their protagonists appeared one after another. The creation of these TV dramas came from life and concerned about the living conditions of migrant workers. Reflecting their life experience and emotional process. This paper will choose the comedy of the characters of the peasant workers TV series since the new century as the research object, from the social background, the cultural background, the character image language of the peasant workers theme TV series, In this paper, the aesthetic implication of the comic character, the significance of the comic character, the problems existing in the development of the TV series on the subject of migrant workers and so on are studied and analyzed. The full text is composed of four chapters, respectively. First, the social background of the teleplays on the subject of migrant workers. They have a large population and benefit from the promulgation of national policies. With the belief of making money to support families, I came to the city to fight for survival. The cultural background of the creation of TV dramas about migrant workers, after the first wave of migrant workers in 1989, Many journalists and social scholars began to pay attention to the various situations of migrant workers through reportage and sociological surveys. Some TV series makers are also beginning to pay attention to this increasingly influential group. The actual situation of migrant workers working in urban areas is a synthesis of the elements of duality, a marginal group living at the bottom, and some end up as urban dream breakers. Some have succeeded in fulfilling their urban dreams. Secondly, it analyzes the comic elements and their artistic value of the characters in the peasant workers TV series. According to the general elements of the characters' image, it analyzes the language, appearance, behavior and regional factors of the characters' images of the peasant workers'TV dramas. This paper analyzes the comic performance of the characters in the peasant workers'TV series, and analyzes the tragic aesthetics and the appreciation of the ugliness of the characters in the peasant workers' dramas from the perspective of modernization. Thirdly, it analyzes the comedy of the characters in the peasant workers TV series from the aspect of function, and probes into the causes of comedy, such as the rise of grassroots culture and the pursuit of spiritual leisure by the audience. And the theme of migrant workers TV characters image of the comedy of the practical significance. In 4th, the author analyzes the problems of peasant workers' lack of understanding and the lack of audience market, and gives some suggestions. Finally, this paper summarizes the main content of this paper, further points out the important role of comedy elements in the theme of peasant workers TV series, and puts forward some thoughts on the future development of peasant workers TV series.
【学位授予单位】:云南师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905
【参考文献】
相关期刊论文 前9条
1 马宁;2000年:新主流电影真正的起点[J];当代电影;2000年01期
2 杨远婴;百年六代 影像中国——关于中国电影导演的代际谱系研寻[J];当代电影;2001年06期
3 周星;第五代电影的特异性——人文情感意义的执著追求[J];当代电影;2005年03期
4 ;农民工问题要从根上治——访陆学艺[J];读书;2003年07期
5 赵素春;丑角美与喜剧艺术[J];四川戏剧;2001年02期
6 罗长海;关于形象五层含义的哲学思考[J];社会科学辑刊;2002年03期
7 雨晴;农民工影视关注[J];神州;2005年11期
8 丁帆;“城市异乡者”的梦想与现实——关于文明冲突中乡土描写的转型[J];文学评论;2005年04期
9 曾庆瑞;没有人能把他们赶走——电视连续剧《城市的星空》观后[J];中国电视;2004年02期
本文编号:1531209
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/1531209.html