当今木偶艺术对于定格动画表现形式的创新应用研究

发布时间：2018-02-28 04:44

本文关键词： 木偶艺术木偶材质木偶造型定格动画　出处：《湖南师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：上世纪五、六十年代,中国的动画作品曾经站在了世界的巅峰,其中定格动画在其中贡献了非常大的一份力量,当时定格动画偶的材质、造型、题材无不从我国流传千年的木偶文化中吸取养分和灵感。随着时间的推移中国动画产业的发展,定格动画却正在一点点的消失,甚至退出了中国动画的舞台。但是纵观国外动画市场,日本动画越来越突显着自己的风格,美国动画逐渐向立体动画发展,中国动画更应该实现动画片市场的多元化而不是一味的加工模仿。从木偶艺术中吸取元素应用于定格动画中来通过对木偶艺术在定格动画的创新应用研究,并得出相关理论与设计实施原则,可以丰富国产动画的艺术形式有效地促进我国动画产业的发展,同时对我国传统工艺与动画结合的普及有着巨大的推动作用,对定格动画的实践应用也有重要的指导意义。从古至今,木偶历经了千年的发展不断融合了各个时代艺术大师的智慧,发展至今在分类上主要是杖头、提线、布袋、水上木偶四大类,在这基础上木偶剧中的木偶出现了很多变化,木偶的造型不在是一味的求像求真,而是更加有艺术感和时代感。在木偶的材质上也不再局限于木偶,而是出现了高新的科技材质,1ed发光二极管,在材质的质感上也进行了一系列的创新,再与现代新媒体技术相结合,表演与声光电配合,带来了一出出精彩绝伦的木偶剧表演,从这些新的改变上能看到很多独具匠心的木偶元素,再其中从材质、造型两方面挖掘出当今木偶艺术中宝贵的资源,选取适当的元素通过重组、移换、解构等方式运用到定格动画当中能有效的改变定格动画的瓶颈。通过制作定格动画短片《萤火》这个实践案例,深入的证实和解析如何将木偶艺术的材质和造型,通过实际的操作分析使得木偶艺术恰当的运用在定格动画设计中。实现将led高新技术融入定格动画中这一实践创新。在振兴我国动画产业的大背景下,提出将木偶艺术融入到定格动画中来,分析木偶的材质、造型原色在定格动画中的应用。旨在打造中国市场多元化的动画作品,重新重视定格动画的设计与制作,更多地通过木偶艺术,或者其他艺术种类加以再创造,打造出独一无二的动画作品。
[Abstract]:On 60s, the five century, China animation works once stood in the top of the world, the animation in which a contribution is very large, even when animation material, style, theme are from China's thousands of years of cultural puppet absorbs nutrients and inspiration. With the development of time Chinese animation industry, animation is a little bit disappear, even out of the China animation stage. But in foreign animation market, Japanese animation increasingly highlighted its own style, American animation gradually to the three-dimensional animation development, diversification China animation should realize the animation market and processing not blindly imitate. Learn from the puppet art elements used in animation to through the research on the innovative application of puppet art in animation, and draw relevant theories and design principles, can enrich The art form of domestic animation effectively promotes the development of China's animation industry, and at the same time, it greatly promotes the popularization of traditional technology and animation. It also has important guiding significance for the practical application of freeze motion animation.
Since ancient times, the puppet has developed thousands of years of continuous integration of each era of art masters of wisdom, since the development of the classification is mainly stick head, strings, bag, water puppet four categories, based on the puppet show puppet appeared a lot of changes, the other is not a puppet for taste like the truth, but more artistic sense and sense of the times. In the puppet of the material is no longer confined to the puppet, but the high tech materials, 1ed light emitting diode in the material texture is also carried out a series of innovation, combined with modern media technology, with sound and light show, brought a fantastic puppet show, from these new changes can be seen on many elements of the puppet and the material have great originality, from two aspects, other mining valuable resources in today's puppet art, by choosing appropriate elements Restructuring, transfer, deconstruction and other means to stop motion animation bottleneck can effectively change the animation. By making animation short film called firefly > this practice, further confirmed and how to parse the puppet art material and shape, through the actual operation of the appropriate use of puppet art in animation design in led to achieve the high technology into the practice of innovation in animation.
In the background of the revitalization of China's animation industry, the puppet art into the animation to analysis the puppet material, application of other colors in stop motion animation. To create Chinese market diversification animation, attach great importance to the design and production of animation, more through puppet art, or other types of art to re create the one and only create animation works.

【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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