新世纪以来蒙古族题材电影女性形象分析

发布时间：2018-03-02 08:02

本文关键词： 蒙古族题材电影女性形象女性主义艺术价值　出处：《内蒙古大学》2013年硕士论文　论文类型：学位论文

【摘要】：新中国成立以来,蒙古族题材电影以浓郁的民族特色和鲜明的艺术特色在中国电影史上占有一席之地。在半个多世纪的发展历程中,蒙古族题材电影在表现本民族文化、刻画民族性格、弘扬民族精神方面做出了有益的艺术探索。本文以新世纪以来蒙古族题材电影为研究对象,重点对此时期蒙古族题材电影中的女性形象进行分析。本文从蒙古族题材电影女性形象的分类研究入手,对中国女性的性格特征、意识、心理、情感等因素进行论析,并尝试从女性主义的视角来观照新世纪蒙古族题材电影女性意识的表现,展现蒙古族题材电影女性形象的独特魅力及艺术价值。本文第一部分对蒙古族题材电影的发展史进行梳理,将研究重点放在各个时期蒙古族题材电影中的女性形象上。这些女性形象的塑造,由于受时代背景、创作理念等诸多因素影响,具有鲜明的时代烙印；特别是新世纪以来蒙古族题材电影中的女性形象,与之前比较,展现出更具独立自主的女性意识和善良无私的美好品质。本文第二部分对影片女性形象从其社会角色与家庭角色二个角度进行探析,关注影片中“母亲”、“女儿”、“妻子”、“知识女性”和“草原捍卫者”等女性形象,总结出女性形象之“坚韧宽厚”、“独立自主”、“勇敢坚强”等性格特征；本文运用“微笑的女性主义”观点,对影片女性与男性关系进行分析,认为新世纪以来蒙古族题材电影并非表现女性与男性之对立,而更多是表现女性与男性之理解与关怀。该文第三部分探析蒙古族题材电影女性形象之艺术价值,认为其艺术价值不仅体现在真实展现新世纪蒙古族女性之生存状态,而且体现在女性形象自身所具有的振奋他人之精神力量；对于影片创作者而言,女性形象承载着其“生命观”,即电影创作者“对生命与自然的一种尊重的态度”。
[Abstract]:Since the founding of the people's Republic of China, Mongolian films have occupied a place in the history of Chinese films with strong national characteristics and distinctive artistic characteristics. In the course of development of more than half a century, Mongolian films have been showing their own national culture. Depicting the national character and carrying forward the national spirit has made a beneficial artistic exploration. This article takes the Mongolian theme film as the research object since the new century. This paper starts with the classification of the female images of Mongolian films, and analyzes the characteristics, consciousness, psychology, emotion and other factors of Chinese women. From the perspective of feminism, this paper attempts to study the female consciousness of Mongolian films in the new century, and to show the unique charm and artistic value of the female images of Mongolian films. The first part of this paper combs the history of the development of Mongolian films, focusing on the female images of Mongolian films in various periods. The shaping of these female images, due to the background of the times, Many factors, such as creative ideas, have marked the brand of the times. In particular, the images of women in Mongolian films since the new century have been compared with those before. The second part of this paper analyzes the female image of the film from two angles: social role and family role. Pay attention to the female images such as "Mother", "daughter", "wife", "intellectual woman" and "Prairie defender" in the film, summed up the female image of "tough and generous", "independent", "brave and strong" and other personality characteristics; Based on the view of "smiling feminism", this paper analyzes the relationship between women and men in the film, and concludes that the Mongolian films do not represent the opposition between women and men in the new century. The third part of this article analyzes the artistic value of the female image of Mongolian film, and thinks that the artistic value is not only reflected in the existence state of the Mongolian women in the new century. And it is embodied in the spiritual power of the female image itself to exhilarate others; for the film creators, the female image bears its "view of life", that is, the filmmaker's "attitude of respect for life and nature".
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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