冯小刚电影反讽艺术研究

发布时间：2018-03-10 17:43

本文选题：冯小刚电影　切入点：反讽艺术　出处：《四川省社会科学院》2015年硕士论文　论文类型：学位论文

【摘要】：反讽(irony)一词最早来源于古希腊文eironia,最早是古希腊古典喜剧中的一种固定角色。而后反讽演变成为一种修辞手法,在中西方的古典文化中都能找到反讽手法的痕迹。反讽艺术在后期的使用扩大至诗歌、小说文本、影视等领域,在社会转型与文化变迁的强大牵引下,反讽已然成为当下中国日益突出的文化现象、文化事实。而冯小刚作为大陆知名导演,其电影在当下影响广泛,反讽艺术在他的电影作品中成为一种鲜明的美学风格。论文从反讽艺术入手,以小见大,依托反讽理论以冯小刚及其作品为主要对象,并结合当下的文化语境对反讽艺术在冯小刚电影中的表现进行分析。第一章是对冯小刚电影反讽艺术文化场域的分析,通过对电影概况的梳理,分析当下社会冯小刚电影反讽艺术所处的文化语境,并通过外部比较将冯小刚对王朔、刘震云作品的改编,冯小刚的喜剧范畴与张艺谋的艺术主题,冯小刚电影的反讽与周星驰表演风格的“无厘头”进行比较,得出冯小刚电影中反讽艺术的独特性。第二章是本文的重点和创新之处,主要研究冯小刚电影反讽艺术的思想意义,得出在其电影中反讽艺术主要指向在传统、爱情、金钱以及权力四个方面。基于对冯小刚电影不同类型、不同时期的分析,得出反讽艺术发展的三个变化,具体表现在反讽的主题扩张、反讽的视角转移以及反讽的程度加强。同时在对受众的分析之下,得出冯小刚电影的大众接受呈现出广泛性、共鸣性及复杂性三个特点。第三章,选择典型电影,通过从言语、情景及戏剧性三个方面,结合具体电影作品对反讽艺术在电影中的表现手法进行分析是本文的创新之处。通过对冯小刚及其电影作品所处的时代背景、文化语境进行梳理,得出冯小刚反讽艺术美学风格的思想价值,在以上分析的基础上结合当代中国反讽文化对反讽艺术在冯小刚电影中存在反讽力度加强,“笑果”却少了的问题进行反思。
[Abstract]:Irony (irony) first comes from the ancient Greek eironia, the earliest is a fixed role in ancient Greece. The classical comedy and irony evolved into a kind of rhetoric in Chinese and Western classical culture can be found in the trace of irony. The art of irony in later use to expand the poetry, novels, film and other fields, in the strong social transformation and cultural changes under the traction of irony has become a cultural phenomenon, the current China increasingly prominent cultural facts. Feng Xiaogang, as a famous director, the film wide influence in the present, the art of irony has become a distinctive aesthetic style in his film. The art of irony based on the theory of irony, the child is father of the man, with Feng Xiaogang and his works as the main object, and combined with the present cultural context on the art of irony in Feng Xiaogang's film performance was analyzed. The first chapter is Analysis of the domain of the Feng Xiaogang film irony art and culture field, through the film survey, analysis of the current social Feng Xiaogang film irony of the cultural context, and through the comparison of the external Feng Xiaogang Wang Shuo, adapted from the works of Liu Zhenyun, Feng Xiaogang and Zhang Yimou comic art themes, Feng Xiaogang film irony and Stephen Chow performing style "nonsense" compared to that of the unique art of irony in Feng Xiaogang's films. The second chapter is the focus and innovation of this paper, mainly studies Feng Xiaogang film irony art ideological significance, obtained in the film the main point in the traditional art of irony, love, money and power in four aspects. For different types of film based on Feng Xiaogang and analysis of the different periods, the three changes of irony art development, specifically in the irony of the theme expansion, from the perspective of irony to transfer And the strengthening of the degree of irony. At the same time, under the analysis of the audience, the Feng Xiaogang film showing a wide range of public acceptance, the three characteristics of resonance and complexity. In the third chapter, through the selection of typical movies, from speech, dramatic scenes and three aspects, combined with the specific films of expression of irony in the movie the analysis is the innovation of this paper. By analyzing Feng Xiaogang films of the era background, cultural context, the Feng Xiaogang irony art aesthetic style and ideological value, contemporary culture on the art of irony China irony in Feng Xiaogang movies are strengthened with irony on the basis of the above analysis, the reflection of laughter only a little problem.

【学位授予单位】：四川省社会科学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

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