行定勋电影的改编策略与美学追求

发布时间：2018-03-13 06:23

本文选题：行定勋　切入点：改编　出处：《河南大学》2013年硕士论文　论文类型：学位论文

【摘要】：作为日本新生代导演的领军人物,行定勋一直以其独特的影像风格和鲜明的民族特色来描绘日本的多元文化。他的电影时而透出清新明快的现代感,时而彰显日本特有的传统美,从《GO!大暴走》的彷徨叛逆到《在世界中心呼唤爱》的细腻唯美,再到《北之零年》的恢弘大气,行定勋完成了一次次华丽蜕变,在他情绪化的语言和叙事中,始终贯穿着强烈的真实感和力量感,他用自己别具匠心的影像语言和探索精神勾勒出日本电影的新景观。日本电影自发展之初就离不开文学作品的滋养,改编文学作品不仅需要导演传承原著的意境,同时还要吸引观众的眼球。行定勋屡次成功地将现代小说和历史名著搬上银幕,是因为他独特的切入视角和大胆地整合再现,他的改编没有矫揉造作和刻意煽情,有的只是对日本美学精神的恪守和对现实世界的思考。正因为他对文学作品的深刻把握和理解,使得他的电影不但具有艺术价值更具有商业价值。本文分为三个部分,第一部分主要研究行定勋的艺术创作轨迹,通过比较他与岩井俊二在选题、叙事、构图、剪辑等方面的异同之处,揭示了岩井俊二对行定勋电影创作的影响,同时也肯定了行定勋已经形成的独立创作风格。第二部分从行定勋的电影文本出发,将他的影视创作视为对文学作品改编的操作性实例进行研究,剖析他改编过程中对叙事策略的调整、人物环境的改写以及视听语言的添加,探讨如何在不削弱小说思想深度的前提下提升其艺术魅力。同时,透过他在不同时期题材选择的差异,了解他电影创作之路的取舍与得失。第三部分从审美角度出发,结合日本传统文化和社会大环境,分析行定勋作品中对于物哀之美、幽玄之美、死亡之美、女性之美、纯爱之美的追求,全面解读日本民族审美意识对行定勋电影创作的影响。
[Abstract]:As a leading figure in the new generation of Japanese directors, Xing Dingxun has been portraying Japan's multiculturalism with its unique image style and distinctive national characteristics. His films sometimes reveal a fresh and lively modern sense. From time to time to highlight Japan's unique traditional beauty, from < GO!! To the delicate beauty of calling Love in the Center of the World, and then to the magnificent atmosphere of "the year of the North," Xing Dingxun has completed a flamboyant transformation, in his emotional language and narration. With a strong sense of realism and strength, he sketched out the new landscape of Japanese films with his original image language and exploring spirit. Since the beginning of Japanese film development, it has been inseparable from the nourishment of literary works. The adaptation of literary works not only requires the director to inherit the original artistic conception, but also to attract the attention of the audience. Xing Dingxun has repeatedly succeeded in bringing modern novels and historical masterpieces onto the screen. Because of his unique angle of view and bold integration of reproduction, his adaptation was not affectionate or deliberately sensational. Some of them only adhere to the Japanese aesthetic spirit and reflect on the real world. It is precisely because of his profound grasp and understanding of literary works that his films have not only artistic value but also commercial value. This paper is divided into three parts. The first part mainly studies the artistic creation track of Xing Dingxun. By comparing the similarities and differences between him and Junji Ishii in the aspects of topic selection, narrative, composition, editing and so on, it reveals the influence of the latter on the creation of Xing Dingxun's films. At the same time, it also affirms the independent creative style that Xing Dingxun has formed. The second part, starting from the film text of Xing Dingxun, regards his film and television creation as an operational example of the adaptation of literary works. This paper analyzes the adjustment of his narrative strategy, the rewriting of the character environment and the addition of audio-visual language in the process of his adaptation, and discusses how to enhance his artistic charm without weakening the depth of the novel's thought. Through the differences in his choice of themes in different periods, we can find out the trade-offs and gains and losses of his way of film creation. The third part, from the aesthetic point of view, combines the traditional Japanese culture and the social environment, and analyzes the beauty of the mourning for things in the works of Xing Dingxun. The pursuit of the beauty of mystery, the beauty of death, the beauty of women, the beauty of pure love, and the comprehensive interpretation of the influence of Japanese national aesthetic consciousness on Xing Dingxun's film creation.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911;J905

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