《围城》电视剧改编的叙事研究

发布时间：2018-03-16 01:33

本文选题：《围城》　切入点：改编　出处：《安徽大学》2013年硕士论文　论文类型：学位论文

【摘要】：当下的大众传播媒介不断拓展着文学的传播途径与范围,工业文明下的电视艺术在一定程度上改变了文学的传播与阅读方式,电视剧以图像为载体,将小说原著中的内容,按照电视剧艺术的创作规律与要求进行处理,使得电视剧成为目前大众故事消费的主要形式。本文力求对当代中国电视剧的改编进行深度地审视,以《围城》的电视剧改编为切入点,将叙事学、符号学、修辞学的理论研究成果引入改编实践,重点分析电视剧改编过程中从文学叙事到影像叙事的转换。电视剧的改编实践并不是孤立的,它不仅与原著息息相关,更是具体的时代文化背景的产物。因此本文在从微观角度对小说与电视剧的微妙差异进行细读的同时,也从宏观的角度探讨了时代环境、文艺思潮以及改编政策对电视剧改编的影响。在对文学叙事与影像叙事的关系进行梳理的过程中,全文除绪论和结语外分为三个章节：第一章主要从时代与艺术两个方面探讨了文学作品电视剧改编的必然性与可能性。在厘清媒介异质转换的理论基础上,梳理电视剧《围城》诞生的社会语境,并对《围城》小说与电视剧之间的关系进行辨析。第二章从改编过程中的艺术转换现象入手,把握《围城》小说与电视剧之间的审美表现元素的艺术转换与创新。文学与电视剧这两种异质媒介在艺术表现上均采用相似的叙事元素、符号元素和修辞元素来完成艺术包装。因此,本章中抽取了文学与电视剧作品共有且常用的几个叙事元素：内容、视角、话语、时间进行比较分析研究；并通过文学文字线性叙述的形式和电视剧以声、光、画综合运用的镜头语言的差异的比较,分析电视剧改编中符号元素的变迁；还将从隐喻与反讽入手考察电视剧独特直观的修辞艺术。第三章在总结电视剧《围城》改编的得失的基础上,考察中国电视剧改编的整体状况,试图窥见电视剧改编中存在的实际问题,以树立正确的改编理念。
[Abstract]:The current mass media constantly expand the way and scope of literature dissemination, the television art under the industrial civilization has changed the way of literature communication and reading to a certain extent, the teleplay takes the image as the carrier, the content of the original novel, According to the rules and requirements of the creation of TV dramas, TV plays have become the main form of mass story consumption. This paper tries to make a deep survey of the adaptation of contemporary Chinese TV dramas. With the adaptation of the TV series "besieged City" as the breakthrough point, the theoretical research results of narratology, semiotics and rhetoric are introduced into the adaptation practice. This paper focuses on the transformation from literary narration to image narrative in the process of TV drama adaptation. The adaptation practice of TV play is not isolated, it is not only closely related to the original work, It is also the product of the specific cultural background of the times. Therefore, while reading the subtle differences between novels and TV dramas from a micro perspective, this paper also discusses the environment of the times from a macro point of view. The influence of the trend of thought of Literature and Art and the Policy of adaptation on the adaptation of TV plays. In the process of combing the relationship between literary narration and image narrative, the full text is divided into three chapters except the introduction and the conclusion. The first chapter mainly discusses the inevitability and possibility of the adaptation of literary works TV series from two aspects of times and art. On the basis of clarifying the theory of media heterogeneity transformation, it combs the social context of the birth of TV series besieged City. And the relationship between the novel and TV series is analyzed. The second chapter starts with the phenomenon of artistic transformation in the process of adaptation. Grasp the artistic transformation and innovation of aesthetic expression elements between the novel and TV series. Literature and TV drama both adopt similar narrative elements in artistic expression. Therefore, this chapter extracts several common narrative elements: content, visual angle, discourse, and time for comparative analysis; And through the comparison of the form of linear narration of literature and the difference of lens language of TV series with sound, light and painting, this paper analyzes the changes of symbol elements in the adaptation of TV series. It will also examine the unique and intuitive rhetorical art of TV series from metaphor and irony. On the basis of summing up the gains and losses of the adaptation of TV series besieged City, the third chapter investigates the whole situation of the adaptation of Chinese TV series, and tries to find out the practical problems in the adaptation of TV series in order to set up the correct adaptation idea.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I207.42;J905

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