彭浩翔电影美学研究

发布时间：2018-03-19 08:43

本文选题：彭浩翔电影　切入点：主题设计　出处：《苏州大学》2013年硕士论文　论文类型：学位论文

【摘要】：作为香港新生代导演的代表之一，彭浩翔的电影呈现出鲜明的个人风格特色，，给香港电影增添了活力。本文试图从美学的角度，运用文化研究、电影叙事学理论、接受美学理论等对其电影实践进行分析，主要从主题设计、美学风格及艺术价值三方面来把握彭浩翔电影。第一章，通过细致深入的文本分析来研究彭浩翔电影的主题设计。主题是一部电影的灵魂，也是彭浩翔本人最为重视的部分。从他的十一部影片中，提炼出个人命运、爱情、家庭三个主题。尽管仍是永恒不变的命题，但是彭浩翔借助自己的创造性才华，结合当代语境，用新的形式和象征来表达恒久的情感，体验生命的新意。第二章，总结彭浩翔电影的个性化的美学风格，集中体现在不拘一格的类型创作、凝练简洁的叙事技巧和超越一切的幽默态度三方面。结合接受美学理论，分析电影的客观性质如何与观众的主观意识相互作用，相互影响。由于在当代电影商业运作的环境之下，一部电影的成功不仅受电影品质的影响，营销手段也起到相当大的作用，在第四节中，通过对《志明与春娇》的个案分析来评析营销的作用。第三章，着力从艺术与审美的理论高度去审视彭浩翔电影的价值。首先，确认了电影作为娱乐文化的一部分，其无法否认的艺术地位。其次，审美是带有特定历史痕印，并且是主、客体之间互动的活动，因此，在第二节中分析了影片在再现社会真实方面的审美价值，并由此透视大众审美趣味的某种转向。最后，艺术的终极目的是给人类的生存以某种解释，在第三节中，分析了彭浩翔热爱生活、活在当下的朴实的生存哲学。通过这三章的研究，本文从审美对象、审美性质、美的根源三个层面对彭浩翔的电影做了分析，尽可能做到李泽厚所倡导的把艺术与生活的关系落到审美心理实处的要求。
[Abstract]:As one of the representatives of the new generation of directors in Hong Kong, Peng Haoxiang's films show distinct personal style features, which add vitality to Hong Kong films. This paper tries to apply cultural research and film narratology theory from the angle of aesthetics. The theory of receptive aesthetics analyzes his film practice, mainly from three aspects of theme design, aesthetic style and artistic value to grasp Peng Haoxiang's films. Chapter one, through careful and in-depth text analysis, studies the theme design of Peng Haoxiang's films. The theme is the soul of a movie, and it is also the most important part of Peng Haoxiang himself. From his eleven films, he abstracts his personal fate and love. Although it is still an eternal proposition, Peng Haoxiang uses his creative talent and contemporary context to express the eternal emotion and experience the new meaning of life with new forms and symbols. The second chapter summarizes Peng Haoxiang's individualized aesthetic style, which is embodied in three aspects: the creation of unrestrained types, the concise narrative skills and the humor attitude that transcends everything. This paper analyzes how the objective nature of the film interacts with the subjective consciousness of the audience. In the context of the commercial operation of contemporary films, the success of a film is not only influenced by the quality of the film, Marketing means also play a significant role in section 4th, through the case study of Zhiming and Chunjiao to evaluate the role of marketing. Chapter three focuses on the value of Peng Haoxiang's films from the perspective of art and aesthetics. Firstly, it confirms the art status of films as a part of entertainment culture, which cannot be denied. Secondly, aesthetics is marked with a specific historical mark. Therefore, in the second section, the author analyzes the aesthetic value of the film in reproducing the social reality, and thus perspective some kind of turn of the aesthetic taste of the masses. Finally, The ultimate purpose of art is to give a certain explanation to human existence. In the third section, Peng Haoxiang's simple philosophy of existence, which loves life and lives in the present, is analyzed. Through the study of these three chapters, this paper analyzes Peng Haoxiang's films from three aspects of aesthetic object, aesthetic nature and beauty root, and tries to achieve the requirement of Li Zehou's advocating that the relationship between art and life fall into the actual aesthetic psychology.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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