中国红色青春偶像剧研究

发布时间：2018-03-21 09:24

本文选题：红色青春偶像剧　切入点：主题　出处：《南京师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：红色青春偶像剧至今并没有明确而统一的概念,清晰界定这一概念是对其进行研究的基础；与青春偶像剧不同,它没有一味追求奢华情调的矫情戏码；与沉浸于浮华情调的青春偶像剧主人公不同,它所塑造的主人公是具有坚定红色信仰的革命青年,这些青年们走出了青春偶像剧设置的浪漫童话,被赋予了特定的时代特色和内涵；战争烽火、革命青年和富有青春气息的校园成为红色青春偶像剧的标志性元素。红色青春偶像剧中充满革命的浪漫主义情怀,在表现青年们满怀革命热情的同时,没有舍弃炮火冲击下的爱情,将青年的坚定革命信仰潜藏在青春和爱情主题的面纱下面,在彰显男人个性的同时,注重表达女性在革命中的自我意识,通过描写战争对青年们的梦想、爱情甚至生命的摧残,继而对历史进行深刻反思。红色青春偶像剧中塑造了一系列性格鲜明的人物,青春向上但也不乏幼稚的年轻人群体形象深入人心,这其中包含志在四方的男儿,也集中凸显了自立自强的女性,不同的观众可以从多种性格差异的主人公身上获得想象性满足。红色青春偶像剧的叙事采用了平民化的叙事视角,在叙事结构上呈现多元化特征,叙事语言浪漫唯美,并用伦理化叙事塑造主人公形象,细致入微地展现他们的成长过程,体现他们与常人无异的喜怒哀乐,让人看到极具真实感的历史人物。总之,红色青春偶像剧实现了革命历史题材剧与青春偶像剧的巧妙平衡,不但成为革命历史题材影像表达的新坐标,而且为青春偶像剧摆脱奢华、肤浅套路提供了可借鉴的艺术范本。
[Abstract]:So far, there is no clear and unified concept of red idol drama, which is the basis of its research. Unlike the flashy heroine of the idol drama, the protagonist it shapes is a revolutionary youth with a firm red faith. These young people walk out of the romantic fairy tales set up by the idol drama. The war beacon, the revolutionary youth and the campus full of youth have become the symbolic elements of the red idol drama. The red idol drama of youth is full of revolutionary romanticism. While displaying the revolutionary enthusiasm of the youth, it does not abandon the love under the attack of fire, and hides the firm revolutionary belief of the youth under the veil of youth and the theme of love. At the same time, we pay attention to expressing the self-consciousness of women in the revolution, through describing the war to the young people's dream, love and even the destruction of life, and then deeply reflect on the history. The red idol drama portrays a series of characters with a bright personality. Young people are young, but there is no shortage of childish young people. This includes men who are determined to be in the four directions, and women who are self-reliant and self-reliant. Different audiences can get imaginative satisfaction from different characters. The narration of the red youth idol drama adopts the common narration visual angle, presents the multiplex characteristic in the narrative structure, the narrative language is romantic and aesthetically, molds the protagonist image with the ethics narration, displays their growth process in detail. They are like ordinary people's joy, anger and sorrow, so that people can see very realistic historical figures. In a word, the red youth idol drama has achieved a clever balance between revolutionary historical drama and youth idol play. It has not only become a new coordinate for the expression of revolutionary historical images, but also provides a reference art model for youth idol drama to get rid of luxury and superficial routine.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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