奥斯卡金像奖艺术权威建构分析

发布时间：2018-03-23 15:13

本文选题：奥斯卡金像奖　切入点：布迪厄　出处：《深圳大学》2017年硕士论文

【摘要】：1927年,为解决美国电影行业内的劳工纠纷问题,促进行业内部专业人士的交流,增强电影对公众的影响力,时任米高梅电影公司总裁的路易斯.梅耶(Louis B.Mayer)集结了美国电影界36名有较大影响力的人士,组建了美国电影艺术与科学学院。该学院早期主办的颁奖典礼是针对美国本土电影行业内从业人员的宣传与表彰。而今,其创办的奥斯卡金像奖影响力已远超美国本土而辐射至全球范围。笔者试图以布迪厄的资本理论为工具对奥斯卡金像奖进行研究。过去对于奥斯卡金像奖的相关研究大部分停留在电影美学、评奖机制、审美文化等方面。本论文以奥斯卡金像奖艺术权威建构为研究视角,论文主体分为四个部分:第一章对艺术话语与艺术权威作概念界定。首先对“艺术话语”作为一个新的研究领域在二十世纪七十年代被提出继而得到推广的发展历程进行了梳理。其次,从话语、权力与主体的角度探讨了艺术话语权、话语持有者是否可以是集体。通过对艺术话语以及话语权的主体分析,为本文将要论证的金像奖艺术权威的建构作了理论铺垫;第二章从奥斯卡金像奖艺术权威建构策略出发,分析了学院在创新评选机制、包容多元文化、普及电影文化等方面所采用的策略;第三章以布迪厄的资本理论为视角,分析了奥斯卡金像奖对不同类型资本的积累与转换问题,从而完成了在电影奖项艺术场的艺术权威建构;第四章从我国目前电影奖项存在的问题出发,力求借鉴奥斯卡金像奖的成功之处,为我国电影奖项的运作提供经验借鉴。关于奥斯卡金像奖的成功要素无法以一篇硕士论文盖全,所以作者尝试将探索的切口缩小,致力于以布迪厄的资本理论为出发点来探究,从其在场域内的资本积累运作到话语权的掌握,再到艺术权威的建构进行剖析。奥斯卡金像奖的经验为我国电影奖项的设置程序、运营主体、运作机制的改进和完善提供了良好的参照。
[Abstract]:In 1927, to resolve labor disputes in the American film industry, to promote the exchange of professionals within the industry, and to enhance the influence of films on the public, Louis Mayer, then president of MGM Pictures, assembled 36 influential people in the American film industry. Founded the American Academy of Motion Picture Arts and Sciences. The Academy's early awards ceremony was aimed at publicizing and honoring local film industry practitioners. Today, The Oscar created by the Academy Awards has been far beyond the United States and radiation to the global scope. The author tries to use Bourdieu's capital theory as a tool to study the Academy Awards. The past related to the Academy Awards. Most of the research remains on film aesthetics, From the perspective of the construction of the artistic authority of the Academy Awards, this thesis takes the Oscar Award as a research angle of view. The main body of the thesis is divided into four parts: the first chapter defines the concept of artistic discourse and artistic authority. The process is combed. Secondly, From the point of view of discourse, power and subject, this paper discusses whether the discourse holder can be a collective. Through the analysis of the subject of artistic discourse and discourse right, this paper makes a theoretical foundation for the construction of artistic authority of the golden statue prize to be demonstrated in this paper. The second chapter analyzes the strategies adopted by the Academy in innovating the selection mechanism, including multiculturalism, popularizing film culture from the perspective of Bourdieu's capital theory. This paper analyzes the accumulation and transformation of different types of capital in the Academy Awards, and thus completes the construction of artistic authority in the field of film awards. Chapter four starts from the problems existing in the current film awards in China. The author tries to draw lessons from the success of the Academy Awards and provide experience for the operation of Chinese film awards. The successful elements of the Academy Awards cannot be covered by a master's thesis, so the author tries to narrow down the incision of exploration. Focusing on Bourdieu's capital theory as the starting point, from the capital accumulation operation in his presence region to the mastery of the right to speak, to the construction of artistic authority, the experience of the Oscar Award is the procedure of setting up the film awards in our country. The operation main body, the operation mechanism improvement and the consummation has provided the good reference.
【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J991.7

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