谜题电影的叙事机制及前景探讨

发布时间：2018-03-23 15:51

本文选题：谜题电影　切入点：经典叙事模式　出处：《重庆大学》2014年硕士论文

【摘要】：谜题电影自上个世纪90年代风靡世界以来，引起了国内外众多学者的关注和研究。本文将对大卫·波德威尔、沃伦·巴克兰、芭芭拉·科林格等国外知名学者的谜题电影理论进行分析研究，然后指出其理论中存在的缺口，从而对谜题电影进行重新界定和划分。本文作者认为对谜题电影的探讨应该建立在三个方面，分别是其背后特殊的文化语境，题材选择和主题表达上的“边缘趣味”，叙事机制上所体现出的谜题叙事结构。基于这三方面，谜题电影体现出了一种独特的审美机制。首先，本文认为谜题电影在上个世纪90年代繁荣的原因在于文化语境的变化，谜题电影的创作者们受到后现代主义、精神分析学说、电子游戏以及互联网的影响。其次，谜题电影的题材选择和主题表达上也体现出了独特的审美趣味，其题材多涉及灵异事件、宗教、强盗、科幻等不同的类型。主题表达上体现出对个体精神困境的关注。再者，笔者认为谜题电影的研究突破点在于其叙事结构层面。谜题电影以其独特的叙事机制区别于好莱坞经典影片中的“三幕剧”剧作结构，，是对经典叙事的一种创新和颠覆。然后又对谜题电影的叙事机制进行了相应的研究，谜题电影分别通过限制性视角的运用，多结构模式的运用以及开放式的结尾来构建谜题叙事。最后通过诺兰电影中体现出的谜题叙事与好莱坞经典叙事模式的融合，来探讨谜题电影的未来趋势。并对部分华语谜题电影的分析来探讨其体现出来的优势和不足。笔者希望通过对谜题电影的研究，可以对华语谜题电影的创作有一定的启示和借鉴意义，从而一定意义上促进中国电影产业的发展。
[Abstract]:The puzzle film has attracted the attention and research of many scholars at home and abroad since it swept the world in the 1990s. Barbara Colinger and other famous foreign scholars analyzed and studied the puzzle film theory, and then pointed out the gaps in its theory. The author thinks that the discussion of riddle film should be based on three aspects, which are the special cultural context behind it. The "marginal interest" in theme selection and theme expression, and the narrative structure of puzzles embodied in narrative mechanism. Based on these three aspects, the puzzle film embodies a unique aesthetic mechanism. First of all, this paper argues that the reason for the prosperity of puzzle films in the 1990s lies in the change of cultural context. The creators of riddle films are influenced by postmodernism, psychoanalysis, video games and the Internet. The theme choice and theme expression of riddle film also reflect the unique aesthetic interest, its subject matter mostly involves different types such as spiritual event, religion, robber, science fiction and so on. The theme expression manifests the concern to individual spiritual predicament. The author thinks that the breakthrough in the research of riddle film lies in its narrative structure, which is different from the structure of "three acts play" in the classic Hollywood film with its unique narrative mechanism. It is an innovation and subversion of classical narration. Then the narrative mechanism of riddle film is studied accordingly. The use of multi-structure model and the open end to construct riddle narration. Finally, through the fusion of riddle narration and Hollywood classic narrative mode in Nolan film, To explore the future trends of puzzles, and to explore the advantages and disadvantages of some Chinese puzzles. The author hopes that through the research of riddle film, it can give some enlightenment and reference to the creation of Chinese puzzle film, and thus promote the development of Chinese film industry in a certain sense.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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