岳枫早期电影创作研究（1949年前）

发布时间：2018-03-23 19:17

本文选题：岳枫　切入点：早期电影　出处：《中国电影艺术研究中心》2013年硕士论文

【摘要】：岳枫是被中国电影史著述长期贬低或淡忘的电影导演。他于20世纪40至70年代中国电影史的变迁中经历了“左翼”时期、“软性电影”时期、“孤岛”时期、沦陷时期、战后时期和香港时期,共创作了近百部影片。其执导的影片迎合商业化发展的要求,涵盖了古装片／民间故事片、爱情悲剧／家庭伦理片、侦探／犯罪／间谍、武侠片、歌舞片、集锦片等不同的商业电影类型,其导演生涯无论从内容还是从形式上皆可谓一部商业电影史。他的电影遵循着中国早期电影的商业策略,呈现出中西融合的杂糅性。他一是跟随类型热潮生产不同的类型电影,本土化类型与好莱坞模仿之作并存,类型之间也有发展流变与自我复制；二是遵循着商业题材惯用的改编策略,从中外文学与电影名著、戏剧戏曲中取材,挖掘本土故事,借鉴外国题材,迎合观众口味。同时,作为一个制片厂制度下的艺术匠人,他最大的特点是“电影化”,其手法兼收并蓄,既有对影戏传统的延续,也有对好莱坞镜语的借鉴,技巧为叙事服务。本文对岳枫的研究目的,一是随着电影史观的进步,重新还原与挖掘一些被忽略与遮蔽的早期商业导演；二是以岳枫的个案透视早期商业电影生态,为中国电影史的建构做一些补充。
[Abstract]:Yue Feng is a film director who has long been belittled or forgotten by the works of Chinese film history. He experienced the "left wing" period, the "soft film" period, the "isolated island" period and the fall of the Chinese film history in the 1940s and 1970s. During the postwar period and the period of Hong Kong, nearly 100 films were produced. The films directed by them cater to the requirements of commercial development. They cover ancient clothes / folk feature films, love tragedies / family ethics films, detective / crime / spies, martial arts films, etc. Song and dance films, collections and other different types of commercial films, their career in terms of both content and form can be described as a commercial film history. His films follow the commercial strategy of the early Chinese films, showing a mixture of Chinese and Western. First, he produced different types of films with the trend of type, and the localization type co-existed with Hollywood imitations. There are also developmental changes and self-replicas between the types. Second, they follow the usual adaptation strategy of commercial themes, draw materials from Chinese and foreign literary and film masterpieces, drama and operas, dig up local stories, draw lessons from foreign themes, and cater to the tastes of the audience. At the same time, As an art craftsman under the studio system, his greatest characteristic is "cinematography", his technique is eclectic, not only the continuation of the tradition of the film play, but also the reference to Hollywood mirror language, the skill serves for the narration. The purpose of this paper is to restore and excavate some neglected and sheltered early commercial directors with the progress of the view of film history, and to analyze the ecology of early commercial films with Yue Feng's case. To make some additions to the construction of Chinese film history.
【学位授予单位】：中国电影艺术研究中心
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

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