“无厘头”的影片观看及审美效果的形成

发布时间：2018-03-24 00:05

  本文选题：“无厘头”　切入点：张力强度　出处：《重庆邮电大学学报(社会科学版)》2016年04期

【摘要】：对于"无厘头"影片作为一种文化现象的研究很多,但却少有涉及穿插"无厘头"桥段如何对影片造成影响以及如何形成最终审美效果等观影过程的探讨。自电影符号学之后开始出现影片细读和精神分析取向,而德勒兹哲学则试图对传统的精神分析模式进行改造,将电影的观看视为强度流的物质实践活动。基于此,"无厘头"电影的观看可以看作镜头流与观看的观众身体流的汇合。把镜头流视为叙述文本,通过内在于文本的叙述逻辑(符号意指链的断裂/重组)之间张力的解读,在大量的镜头分析中总结出影片穿插"无厘头"桥段、形成审美效果的规律,并在三阶段的区分中分析张力强度与剧情认同程度关系所造成的影片整体审美效果变动。
[Abstract]:For the film of "nonsense" as a kind of cultural phenomenon, but are rarely involved with "nonsense" plot how to affect the film and how to form the final aesthetic effect of viewing process. Since the Film Semiotics began to film reading and analysis of mental orientation, and Deleuze to the traditional philosophy the spirit of model transformation, will watch movies as the material flow strength practice. Based on this, "nonsense" to watch movies can be seen as the lens flow and audience body flow convergence. The lens flow as a narrative text, the narrative logic in the text (fracture / symbol means chain the tension between interpretation, restructuring) in the analysis of a large number of shots were summarized in the film "nonsense" plot, forming the aesthetic effect of the law, and the analysis of tension strength and play in the distinction in the three stage Changes in the overall aesthetic effect of the film caused by the relationship of the degree of emotional identity.

【作者单位】： 上海大学文学院;
【分类号】：J905
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本文编号：1655795