后现代语境下的微电影研究

发布时间：2018-03-24 20:15

本文选题：后现代　切入点：微电影　出处：《湖南大学》2013年硕士论文

【摘要】：随着新媒体的大力发展，当今中国已经进入了一个所谓的“微时代”，其中，篇幅短小但又极富时代气息和文化内涵的微电影显得格外引人注目，并且十分与众不同。作为一个新兴的电影艺术形式，微电影引起了社会广泛关注和全民参与，从而成为了“微时代”的典型代表之一，更在新媒体传播平台上产生了巨大的影响，，吸引了不同学界的学者对其进行分析和研究。与此同时，后现代主义文化现象强势进入我国，并且对我国文化艺术领域产生了重要影响，其中的一个主要影响，便是对我国电影艺术的变革和冲击。这种影响和冲击同样对刚刚兴起的微电影产生了不小的影响。本篇论文正是基于这样一种社会文化背景，来探讨后现代语境下的微电影的叙事特征、传播特征、视觉特征和文化特征，为微电影的发展找到适合的模式和道路，使其更加适应当前的后现代主义环境和新媒体环境，从而促进微电影的长远发展。此外，本文把微电影置于后现代语境中进行研究，区别于其他文献局限在微电影对传统电影艺术的分析或者是对传统电影艺术的革新，同时也区别于其他文献仅局限于对微电影以及后现代主义作单一的研究分析，而是将微电影和当前的后现代主义文化现象结合在一起，探讨微电影的后现代性特征，同时探讨微电影在后现代语境下的发展问题。这不仅区别了以往的研究角度，具有一定的创新意义，并且也有利于拓宽微电影和后现代主义两者的研究范围，具有重要的学术价值和意义，同时还有利于促进后现代主义文化背景下微电影的进步和发展，具有一定的实用意义。
[Abstract]:With the rapid development of new media, China has entered a so-called "micro-era". Among them, micro-films, which are short in length but extremely rich in the flavor of the times and cultural connotations, are particularly noticeable. And very different. As a new art form of film, micro-film has attracted wide attention of the society and the participation of the whole people, so it has become one of the typical representatives of the "micro-era". Moreover, it has had a great impact on the new media communication platform, attracting scholars from different academic circles to analyze and study it. At the same time, the phenomenon of post-modernism culture has come into our country strongly. And has had an important impact on the field of culture and art in China, one of which is the main influence. This is the change and impact on the art of film in our country. This kind of influence and impact also has a great influence on the newly rising micro-film. This paper is based on such a kind of social and cultural background. To explore the narrative, communication, visual and cultural characteristics of micro-films in the post-modern context, to find a suitable mode and path for the development of micro-films, and to make them more suitable for the current post-modernism environment and new media environment. So as to promote the long-term development of micro-film. In addition, this paper puts the micro-film in the post-modern context, which is different from other documents in the analysis of the traditional film art or the innovation of the traditional film art. At the same time, it is also different from other literature, which is limited to a single research and analysis of micro-film and postmodernism, but combines micro-film with the current post-modernism cultural phenomenon, and discusses the characteristics of post-modernity of micro-film. At the same time, this paper discusses the development of micro-film in the post-modern context, which not only distinguishes the previous research angle, but also helps to broaden the research scope of micro-film and post-modernism. It has important academic value and significance, and it is also helpful to promote the progress and development of micro-film under the background of postmodernism culture, which has certain practical significance.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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