后现代语境中的微电影初探

发布时间：2018-03-25 17:09

本文选题：微电影　切入点：后现代主义　出处：《重庆大学》2014年硕士论文

【摘要】：微电影随着人们的喜爱逐渐被视为一种新的电影形式，不仅有徐峥、范冰冰、黄渤等电影圈内人士的倾情加盟，类似筷子兄弟这种专业制作团队的精心制作，还不乏大学生为自己的梦想初出牛犊的尝试，和一些人民群众为祭奠自己的某种特殊情感的创作。这些作品使得微电影真正走向千家万户，电影不再要求大投资，更不再为了票房而铺天盖地的宣传。在微电影的世界里，创作者可以尽情的发挥自己的创作才能，抒发自己想要表达的情感。正因为如此，微电影一方面给我们带来便捷、自由的艺术创作与享受，但同时也存在一些弊端。制作团队的非专业化是把双刃剑。它积极的一面在于，电影创作门槛要求降低，从专业化走向大众化。但同样它也存在一些弊端，比如道德有原则的创作者可以把微电影作为记录现实、缅怀过去、抒发自我情感的平台，创作出人们喜闻乐见的作品。一些丧失道德底线或者怀着特殊不正当目的的创作团队也鱼目混珠夹在其中，那些充满血腥暴力、色情的微电影充斥着大众播放平台，利用微电影所宣传的虚假产品等也活跃在各大播放器上。这些作品的出现严重威胁着网络视频的健康。微电影的快速成长，证明了它是一个极具生命力的事物，给我们带来愉悦的同时也伴随着不可避免的烦恼。那么我们应该如何正视微电影这一新的电影形式呢？本文以后现代主义为基石，对微电影在后现代语境中的一些特征进行探索性研究。第一部分主要对微电影的发展脉络进行梳理。第二部分是本文的核心内容，从四个方面分析总结后现代语境中的微电影的鲜明的特征。第三部分主要从微电影的心理生理接受范式：偷窥、游戏、简化三个方面来浅析。第四部分把微电影置于影像系统性质论的大环境中，探索微电影的创新出彩之处。最后部分则是根据微电影近年来发展的总体情况，，总结其发展的可行之路。
[Abstract]:With people's love, micro-movies are gradually regarded as a new form of film. Not only are there people in the film circles, such as Xu Zheng, Fan Bingbing, Huang Bo, who have joined in love with each other, but professional production teams like Chopsticks Brothers have made them meticulously. There are also attempts by college students to make their dreams a calf, and some people to pay tribute to their own special feelings. These works make micro-films really go to thousands of families, and movies no longer require large investments. In the world of microfilm, creators can give full play to their creative talents and express the feelings they want to express. Because of this, microfilms on the one hand bring us convenience. Free art creation and enjoyment, but at the same time there are some drawbacks. The non-specialization of the production team is a double-edged sword. The positive side of it is that the threshold for film creation is reduced and the trend from specialization to popularization. But it also has some drawbacks. For example, ethically principled creators can use microfilms as a platform for recording reality, remembering the past, and expressing their feelings. Create works that people love. Teams that lose their moral bottom line or have a special misdirected purpose are caught in the mix, and the bloody, pornographic micromovies are filled with popular platforms. The use of microfilms to promote fake products and other active in the major players. The emergence of these works is a serious threat to the health of online video. The rapid growth of microfilm has proved that it is a very vital thing, which brings us joy and inevitable troubles. So how should we face up to the new form of microfilm? Based on postmodernism, this paper explores some features of micro-film in the post-modern context. The first part mainly combs the development of micro-film. The second part is the core content of this paper. This paper analyzes and summarizes the distinctive features of micro-movies in the post-modern context from four aspects. The third part is mainly from the psychology and physiology of micro-film paradigm: peeping, games, The fourth part puts the micro film in the environment of the theory of the nature of the image system, and explores the innovation of the micro film. The last part is based on the general situation of the development of the micro film in recent years. Summarize the feasible way of its development.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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