特伟的动画片特点及其对中国动画的启示的研究

发布时间：2018-03-26 07:41

本文选题：特伟　切入点：水墨　出处：《天津大学》2013年硕士论文

【摘要】：自1922年中国第一部黑白动画片诞生到今天刚好九十周年，中国动画经历了各种跌宕起伏，时光诉说着中国动画人走过的每一步，也见证了中国动画光彩夺目的过去。中国第二代动画艺术家代表人物特伟，从漫画起步，最终全身心投入到动画创作中，中国的动画创作者在特伟提出的“中国动画要坚持走民族化发展道路”思想的指导下，曾经代表了世界动画的最高水平。特伟的动画作品始终保持着他独特的风格，他的作品追求民族性，意境与寓教于乐的结合，《骄傲的将军》《小蝌蚪找妈妈》《山水情》等动画都是中国动画的经典之作。特伟将中国传统美学与先进的制作技术相结合，他的水墨动画片作为中国动画的“独门绝技”曾使外国人惊叹不已。他的作品中包含的美学追求和对古典哲学天人合一的理念表现地淋漓尽致。特伟是中国动画的骄傲，，特伟的作品是世界动画璀璨星空中闪烁的明星。在这位动画大师离开之后，他的作品依旧是留给后继者们宝贵的财富。本文通过整理特伟的作品以及对其作品系统分析，总结出特伟的创作风格，并联系中国动画发展的现状探讨其创作理念对中国动画发展的借鉴意义。
[Abstract]:Since the birth of China's first black and white cartoon in 1922 to the 90th anniversary of today, Chinese animation has experienced various ups and downs. Time tells every step that Chinese animators have taken, and also witnessed the glorious past of Chinese animation. The representative character of the second generation of Chinese animation artists, Special Wei, started from comic books and finally devoted himself to animation creation. The Chinese animation creators were guided by the idea that Chinese animation should adhere to the road of nationalization and development. It once represented the highest level of animation in the world. Trevor's animation works have always maintained his unique style, and his works pursue national character. The combination of artistic conception and education and joy, "Pride General", "Little tadpole looking for Mom", "Landscape situation" and other animations are classic works of Chinese animation. Special Wei combines Chinese traditional aesthetics with advanced production techniques. As the "unique skill" of Chinese animation, his ink and water cartoon has amazed foreigners. The aesthetic pursuit and the idea of the unity of nature and man in classical philosophy are vividly expressed in his works. Trevor is the pride of Chinese animation. Trevor's work is a shining star in the world's animated stars. After the master's departure, his work remains a valuable legacy to his successors. Based on the systematic analysis of his works, this paper sums up his creative style and discusses the significance of his creative ideas to the development of Chinese animation in the light of the present situation of the development of Chinese animation.
【学位授予单位】：天津大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

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