《八月》:散文化叙事策略下的童年“纪录”

发布时间：2018-03-26 21:26

  本文选题：张小雷　切入点：散文化　出处：《电影评介》2017年09期

【摘要】：正《八月》是张大磊导演的处女作,获第53届金马最佳剧情片奖。影片讲述了20世纪90年代初期的呼和浩特,经济变革影响着了普通的家庭与个体,社会、经济与家庭的改变在主视角张小雷的观照下"安静"地"显示"着,而他也在时代与家庭的变化中懵懂地成长着。电影有着独特的美学尚求,散文化的静态表达、孩童视角的观照以及如诗歌意象的淡淡的隐喻与象征意韵,共同性地构建着电影的美学内质。一、散文化的静态表达
[Abstract]:"August" is Zhang Dailei's first work, won the 53rd Golden Horse best drama film award. The film tells of Hohhot in the early 1990s. Economic changes have affected ordinary families and individuals, society, and society. The changes of economy and family are shown "quietly" in the view of Zhang Xiaolei from the main angle of view, and he is also growing up in the changes of times and families. The film has a unique aesthetic demand, and the static expression of prose culture. The reflection of children's perspective and the subtle metaphors and symbolic rhymes of poetic images concomitantly construct the aesthetic endoplasm of films. First, the static expression of prose culture
【作者单位】： 天津大学软件学院;天津大学;
【分类号】：J905
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本文编号：1669679