是枝裕和电影作品研究

发布时间：2018-03-26 20:45

本文选题：是枝裕和　切入点：现实主义　出处：《南京师范大学》2013年硕士论文

【摘要】：本文以日本导演是枝裕和的八部已上映的电影作品为研究对象。1995年,青年导演是枝裕和携首部剧情片《幻之光》参加威尼斯电影节,获得了导演新人奖及最佳摄影奖。这是纪录片导演出身的是枝裕和首次尝试拍摄剧情电影,讲述了一个因丈夫毫无缘由的自杀而不得已独自面对不知所措的生活的女人如何一步步重新获得生活下去的希望的故事。之后,是枝裕和以严谨的态度保持着平均三年一部剧情片的创作速度,在《下一站,天国》、《距离》等影片中,一以贯之用细腻入微的镜头语言探索着永恒的生与死的主题。多年的纪录片拍摄生涯使是枝裕和对于镜头的掌控显得从容与节制,在秉持着对于生命的高度理性思考的同时,他的影像风格游走于剧情片与纪录片之间,对于生命的遗憾与流失,既保有置身事外的冷静,又兼具令人动容的深情。作为近年来日本影坛中坚力量之一的是枝裕和,始终保持着与主流审美不远不近的距离,关注着当下日本社会中时刻都在发生却并未引起相应关注的世态人情,他的影片留给观看者的永远是包裹着沉重内核的轻盈表象。此外,由于深受台湾导演侯孝贤的影响,是枝裕和的影像经常被拿来与侯孝贤或贾樟柯做比较研究,但国内外尚未有对这位导演进行系统研究的著作,因此具有较大的研究价值。本文分为三个部分,从母题、社会文化心理及影像风格三个角度着手对该导演的作品进行一个较为系统的梳理。
[Abstract]:This paper studies eight films that have already been shown by Japanese director Zhi Yu he. In 1995, the young director took part in the Venice Film Festival with his first feature film, the Light of Fantasy. He won the director's new talent award and the best photographer award. This is the documentary filmmaker's first attempt to make a plot film. It tells the story of how a woman who had to face her life alone because of her husband's unprovoked suicide was able to regain the hope of life step by step. It is Zhi Yuhe who, with a rigorous attitude, maintains the average rate of creation of a feature film every three years. In films such as "next stop, Heaven", "distance" and so on, The theme of eternal life and death is explored with exquisite and meticulous lens language. Many years of documentary shooting have made Zhi Yuhe's control of the lens appear calm and restrained, while adhering to a high degree of rational thinking about life. His image style walks between drama film and documentary film, for life's regret and loss, not only keep away from the calm, but also have a moving deep feelings. As one of the most important forces in the Japanese film world in recent years, Zha Yuhe has always maintained a close distance from the mainstream aesthetics, paying close attention to the prevailing human feelings that are happening all the time in Japanese society but have not aroused the corresponding attention. His films are always left to viewers with a light appearance wrapped in a heavy core. In addition, because of the influence of Taiwanese director Hou Hsiao-hsien, it is often used to compare the images of Zhi Yu with Hou Hsiao-hsien or Jia Zhangke. However, there has not been a systematic research on the director at home and abroad, so it has great research value. This paper is divided into three parts, from the motif, Social and cultural psychology and image style three angles to the director's works a more systematic combing.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

【参考文献】