《西蒙妮》的元电影性质分析

发布时间：2018-03-27 14:04

  本文选题：《西蒙妮》　切入点：影像　出处：《电影文学》2017年14期

【摘要】：安德鲁·尼科尔执导的影片《西蒙妮》是一部颇具反思力度的电影佳作。影片自觉地运用影像来反思真实,也充分体现了对现实的关切,不仅是针对电影艺术自身而进行思考,也对人类生存境遇有所关切。《西蒙妮》讲述了一个电影导演通过制造虚拟偶像西蒙妮而博取声名,最终却陷入麻烦之中的故事,具有强烈的现实警示意味,同时也对科技与艺术之间的关系加以展示,对电影的未来进行了批判性展望,并在拍摄过程和叙事机制上显示出元电影性质,进一步扩展了思考的空间。
[Abstract]:The film "Simone" directed by Andrew Nicole is a rethinking film. The film consciously uses images to reflect on reality and fully reflects its concern for reality, not only for the art of film itself, but also for thinking about it. Simone is also concerned about the human condition. The story of a film director who gained fame by creating a virtual idol, Simone, but ended up in trouble, has a strong reality warning. At the same time, it also shows the relationship between technology and art, makes a critical outlook on the future of the film, and shows the nature of meta-film in the shooting process and narrative mechanism, which further expands the space for thinking.
【作者单位】： 海南大学;
【分类号】：J905
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本文编号：1671822