动画角色的设计符号研究

发布时间：2018-03-27 17:02

本文选题：情境　切入点：动画角色　出处：《湖南师范大学》2013年硕士论文

【摘要】：在日益强大的数字媒体时代背景下,信息传播越来越趋向于“图形化、数字化、动态化、符号化”的形态特征。动画电影以其独特人物造型表现形式与审美价值,不断的被越来越多观众所认知。大众时尚通俗文化语境中,动画形象作为一种艺术符号和文化传播媒介,承担着文化传播的功能和作用。动画作为一种文化意识符号通过传递和输出使观众迅速与自己记忆中符号对接,引发情感上和心理上的共鸣,并潜移默化的影响到审美意识、审美趣味、审美价值的转变,使之形成一种新的审美形态和审美价值观。本文以“人”为研究中心,以系统的影像设计体系与方法,基于交互情景下对动画角色符号的设计提取,在分析了整个时代背景、理论发展状况的情况下,对比了当前用户体验、可用性、以人为中心的设计和用户研究等相关的理论,分析了它们之间的相互关系。动画角色是基于交互影像技术的符号化艺术,研究不仅仅对于该领域本身的艺术家以及艺术创作有着探索性的意义,同时也对传统艺术、艺术设计等等众多领域的艺术创作也有着积极的参照作用。本文的研究重点是基于互动性的情境理论,研究符号化的设计角色在动画作品中的价值体现。在实际许多动画艺术中,观众只是在作品的表面意义上参与了,并未能从实质上实现“互动”。在新技术发展下,观众得观看影片的模式将由单纯的故事盛宴进一步延伸到故事的主动参与。当艺术走向生活,生活走向艺术化后,审美经济和艺术化的生活方式必将成为主导着符号消费和符号设计。动画角色的符号化及符号审美研究对动画设计具有重要意义。
[Abstract]:Under the background of the increasingly powerful digital media era, the information dissemination tends to be "graphic, digital, dynamic and symbolic". In the context of popular culture, animation is regarded as an artistic symbol and a medium of cultural communication. As a kind of cultural consciousness symbol, animation can quickly connect the audience with the symbols in their own memory, trigger emotional and psychological resonance, and imperceptibly affect the aesthetic consciousness. The change of aesthetic taste and aesthetic value makes it form a new aesthetic form and aesthetic value. This paper takes "human" as the research center, takes the system image design system and method, based on the interactive situation to design and extract the animation character symbol, under the condition of analyzing the whole era background, the theory development condition, In this paper, the current theories of user experience, usability, human-centered design and user research are compared, and the interrelation between them is analyzed. Animation characters are symbolized art based on interactive image technology. The research is not only of exploratory significance to the artists and artistic creation in this field, but also to the traditional art. The art creation in many fields, such as art design and so on, also has a positive reference function. The research emphasis of this paper is based on interactive situational theory. This paper studies the value of symbolized design characters in animation works. In many animation arts, the audience is only involved in the superficial meaning of the works, and they fail to realize the "interaction" in essence. With the development of new technology, The mode in which viewers have to watch films will be further extended from simple story feasts to active participation in stories. When art moves towards life and life moves towards artistry, Aesthetic economy and artistic way of life will become the dominant symbol consumption and symbol design. The symbolization of animation characters and symbolic aesthetic research are of great significance to animation design.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;J218.7

【共引文献】