《爱乐之城》对传统经典歌舞片的重构

发布时间：2018-03-27 18:16

  本文选题：歌舞片　切入点：《爱乐之城》　出处：《电影文学》2017年16期

【摘要】：歌舞片诞生于20世纪30年代,它脱胎于好莱坞电影制作方式和百老汇的表演的结合。在数十年的发展历程中,歌舞片曾经多次创造了银幕上的辉煌。在歌舞片衰微的今日,由达米恩·查泽雷执导的《爱乐之城》的出现无疑让观众眼前一亮,而电影一举揽获多项奥斯卡大奖也代表了业界对《爱乐之城》的肯定。文章从歌舞与浪漫爱情的推进、歌舞与个人梦想的追寻、歌舞与城市形象的构建三方面,分析《爱乐之城》对传统经典歌舞片的重构。
[Abstract]:Song and dance films, born in the 1930s, were born out of the combination of Hollywood movie-making methods and Broadway performances. In the decades of development, song-and-dance films have created the brilliance of the screen many times. The emergence of Damien Chazelay's "City of Philharmonic" is no doubt a flash in front of the audience, and the film's winning multiple Oscars represents the industry's affirmation of the city. The article goes from singing and dancing to romantic love. This paper analyzes the reconstruction of the traditional classic song and dance film from the three aspects of the pursuit of song and dance and the pursuit of personal dream, the construction of song and dance and the construction of city image.
【作者单位】： 长春师范大学音乐学院;
【分类号】：J951
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本文编号：1672671