梦逐潮声去——“冷战”格局下的潮语戏曲片

发布时间：2018-03-28 01:00

  本文选题：潮语戏曲片　切入点：香港电影史　出处：《当代电影》2017年07期

【摘要】：本文勾勒了20世纪五六十年代湖语戏曲片的历史,并在很少受到学界关注的潮语片的语境下重访"影""戏"之争。"冷战"背景下内地与香港的潮语片合拍处于地缘政治的张力中心,也提供着重写香港电影史的可能。潮语戏曲片在东南亚地区的跨地接受见证了政治影响与商业驱动的齐头并进,也将华语电影史的写作引向大中华地区之外。
[Abstract]:This paper outlines the history of lake opera films in the 1950s and 1960s. And in the context of the seldom paid attention by scholars to the controversy of "shadow" and "drama". Under the background of "Cold War", the mainland and Hong Kong are in the center of geopolitical tension. It also offers the possibility of focusing on the history of Hong Kong cinema. The cross-regional acceptance of Chao Opera films in Southeast Asia has witnessed the simultaneous development of political influence and commercial drive, and has also led the writing of the history of Chinese cinema beyond the Greater China region.
【作者单位】： 芝加哥大学;
【分类号】：J951
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本文编号：1674025