中国灾难题材电影的缺失及其发展策略研究

发布时间：2018-03-28 01:05

本文选题：中国灾难题材电影　切入点：缺失　出处：《河北大学》2014年硕士论文

【摘要】：中国灾难题材电影产生于1957年,经过50多年的发展,却没有得到更多的观众和导演的重视,数量少、质量差、票房低是中国灾难题材电影最直观的现状,和好莱坞灾难片相比差距显著。中国灾难题材电影在写实化的进程中,秉承了中国电影历史传统,符合中国文化发展轨迹。中国早期灾难题材电影作为政治宣教工具,带有主旋律特性,取材简单,剧情单一,叙事平缓,感情平淡的特点一直延续至今。进入二十一世纪以来,随着中国以及中国电影的发展,灾难题材电影虽然在投资上得到制片方支持,但是仍然处于中国电影的边缘境地。到目前为止,中国灾难题材电影的发展还处在比较困难的阶段,营造真实灾难场面技术落后,资金不充足,以及中国传统特有的文化背景造成中国电影历史上灾难题材电影的缺失。好莱坞灾难片在屡屡取得好票房成绩的同时,中国电影也应该反思：灾难题材电影的缺失性问题。灾难题材电影成为中国电影的短板之一,电脑技术的落后是一方面,更重要的是中国电影观念和电影体质问题所在,而这些阻碍着中国发展灾难题材电影以及其他类型电影。正是鉴于此,本研究着重探讨中国灾难题材电影的现状,并在其现状中发现了中国灾难题材电影在剧本创作、叙事模式与策略、人物塑造、场景设置、视觉感受的缺失,根据缺失分析了其原因所在,最后通过笔者的研究,提出了一些对中国灾难题材电影能更好发展的策略。由此,笔者得出结论,中国要想步入世界电影强国行列,必须在各个类型电影都有新的突破。在当今以和平与发展为主题的时代,灾难影响着人类的生命安全,更维系着全世界人民的心。作为中国电影发展弱势之一的灾难题材电影,更应根据自身的发展特点和本土化的风格以量变寻求质变,形成自身独特的灾难叙事,来吸引中国和世界各国观众的眼光,摒弃落后陈旧的思想,通过题材,剧本,情感的创新来增添中国灾难题材电影的新气象,这才是中国广大电影人想要看到的最终结果。
[Abstract]:Chinese disaster film originated in 1957, after more than 50 years of development, but did not get more attention from the audience and directors, less quantity, poor quality, low box office is the most intuitive situation of Chinese disaster film. Compared with Hollywood disaster film, the gap is significant. In the process of realistic portrayal of Chinese disaster films, they have inherited the historical tradition of Chinese films and are in line with the development track of Chinese culture. As a tool of political propaganda and education, Chinese early disaster films have the characteristics of main melody and simple materials. Since the 21 century, with the development of China and its films, disaster films have received support from the producers in terms of investment. But it is still on the edge of Chinese films. Up to now, the development of China's disaster-themed films is still at a relatively difficult stage. The technology of creating real disaster scenes is backward, and the funds are not sufficient. As well as the unique cultural background of Chinese tradition, resulting in the absence of disaster films in the history of Chinese films. Hollywood disaster films have made good box office results at the same time. Chinese films should also reflect on the lack of disaster films. Disaster films have become one of the shortcuts of Chinese films. The backwardness of computer technology is one of the most important problems in Chinese film concepts and film physique. These are hindering the development of disaster films and other types of films in China. In view of this, this study focuses on the current situation of Chinese disaster films, and finds out the absence of Chinese disaster films in script creation, narrative mode and strategy, character shaping, scene setting, visual feeling in the present situation. According to the lack of analysis of the reasons, finally through the author's research, put forward some Chinese disaster theme film can better development strategies. Therefore, the author concludes that if China wants to become a world movie power, it must make new breakthroughs in all kinds of films. In the era of peace and development, disaster affects the safety of human life. As one of the weak points in the development of Chinese films, the disaster theme films should seek qualitative changes according to their own development characteristics and localization style to form their own unique disaster narration. To attract the eyes of Chinese and other countries, to abandon outdated ideas, to add new atmosphere to Chinese disaster movies through the creation of themes, scripts and emotions. This is the final result that Chinese filmmakers want to see.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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