《青少年施暴者》：伪纪录片创作初探

发布时间：2018-03-30 18:20

本文选题：伪纪录片　切入点：青少年暴力犯罪　出处：《南京师范大学》2017年硕士论文

【摘要】：青少年暴力犯罪问题已经成为全社会的热点问题,在自媒体不断发展的今天,越来越多的人关注到此类的社会事件,而本片聚焦于这些进行施暴的问题少年,从青少年施暴者的视角出发,展示他们的内心世界,分析出现犯罪现象的原因,原因是多元化的,在对问题少年加以谴责的同时,家庭、学校、社会也需要思考自身的责任。青少年正处于青春期,个体有很多不安定的因素,在走弯路的时候,需要的是正确的指引和更细致的关怀。影片选取了连云港广播电视大学女生被打案件作为创作背景,主题在于对青少年犯罪的社会思考,而不是对于暴力的呈现,因此选择了施暴者的角度,探索这些青少年施暴者的内心和走上犯罪道路的原因。如果选用一般纪录片来呈现,表现上会较为枯燥平淡,无法展现出本片的主题,对于青少年施暴者的内心表达的冲击力不够,因此选择了伪纪录片的呈现方式。内容上可以虚构一定的情节和话语,采用多视角叙事演绎,重点展现角色人物的情绪,受众可以更直接地感受人物的心理,避免单调冗长的镜头画面,形式上仍然保持纪录片的特性,加入权威人物的采访、新闻资料,并且策划一起虚构的突发事件,让导演和演员直面观众,形成类似“真人秀”的形式,使得本片更具有真实感和广泛的社会意义。将纪录片的“真实”与剧情片的“虚构”杂糅在一起,逐步形成全新的艺术样式,比传统的样式更为有创意,伪纪录片便是杂糅之后的产物,并且在不断地创新发展。本文探讨了伪纪录片的创意手法,伪纪录片作为一种新兴的创作方式,可以看作是一种实验性的纪录片,其形式上更为自由化,主观性更强,情感表达更为突出,叙事策略更为多元,因此在表达人物的内心情绪和对事件的思辨这类主题上,伪纪录片运用得越来越频繁。
[Abstract]:The problem of juvenile violent crime has become a hot issue in the whole society. With the continuous development of the media today, more and more people are concerned about such social events, and this film focuses on these problem teenagers who commit violence. From the perspective of the perpetrators of juvenile violence, to show their inner world, to analyze the causes of crime, the reasons are diversified, while condemning the problem youth, the family, the school, Society also needs to think about its own responsibilities. Teenagers are in adolescence, individuals have a lot of unstable factors, when they take a detour, What is needed is correct guidance and more careful solicitude. The film selects the case of female students at Lianyungang Radio and Television University as the creative background, with the theme of social thinking on juvenile delinquency rather than the appearance of violence. So I chose the angle of the aggressor to explore the heart of these young perpetrators and the reason why they started to commit crimes. If we choose the general documentary to present, the performance will be dull and dull, and we will not be able to show the theme of this film. For the youth aggressor, the inner expression of the impact is not enough, so the choice of pseudo-documentary presentation. Content can be fictional certain plot and discourse, using multi-perspective narrative deduction, focusing on the character's mood, The audience can feel the characters' psychology more directly, avoid the drab and long shot picture, still maintain the documentary characteristic in form, join the interview of the authority personage, the news material, and plan a fictional unexpected event. Let the director and actor directly face the audience, form a form similar to "reality show", make the film more realistic and extensive social significance. Mix the documentary's "reality" with the drama's "fiction". Gradually forming a new art style, more creative than the traditional style, pseudo-documentary is the product of hybridity, and constantly innovation and development. This paper discusses the creative methods of pseudo-documentary. As a new way of creation, pseudo-documentary can be regarded as an experimental documentary, which is more liberalized in form, more subjective, more prominent in emotional expression, and more diversified in narrative strategy. Therefore, pseudo-documentaries are used more and more frequently on themes such as expressing the inner emotions of characters and thinking about events.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

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