试论近期国产电视剧的翻拍现象

发布时间：2018-03-30 18:28

本文选题：电视剧　切入点：翻拍　出处：《兰州大学》2014年硕士论文

【摘要】：随着我国电视剧产业的迅速发展,电视剧类型化创作的手段逐渐多样化。翻拍作为影视剧创作的重要途径和手段,自荧幕作品产生之日起,便与其生存与共。随着技术的革新与进步,许多优秀的文学作品被搬上了大银幕。同时,国外电视剧在中国内地青年受众群中掀起了一股收视热潮,为了迎合青年受众的收视需求,翻拍剧成为人们的新宠。基于国产影视剧的现状,本文着重从编剧技巧到市场,在剧集产业化的各个环节来分析国产影视剧为何高产低出,从类型剧到定制剧,从火热跟风的现象背后去揭示原创性稀缺的国产剧硬伤。通过分析比较当前国产电视剧的良莠高低,讨论众多剧集成功的各有所长以及失败的各有所短,作者认为,在加大原创力度的同时能够适度借鉴各方经验,将成为未来国产电视剧的一条出路。本论文从一定的理论视域和若干社会、文化角度对近期国产电视剧的翻拍进行研究。全文共分为四章,在第一章中对翻拍理论以及翻拍剧集的整体情况和研究现状进行了宏观的综述,从翻拍的定义、发展历程、翻拍的理论方法来说明翻拍这一大概念,又从文献的层面研究了当前翻拍领域的学术研究现状；第二章国产电视剧的翻拍现状分为两个部分,首先从数量、品质、内容、特点等方面,对国产电视剧的生存现状进行了整体的阐述,其次归纳了国产电视剧翻拍的具体情况,并立足于电视剧翻拍的内容来源,分三个方面来阐述翻拍素材的出处,又从电视剧拍摄的历程入手,再总结国产翻拍剧的现状；第三章侧重分析了国产电视剧的翻拍情况,以具体的影片进行比较归纳,以较成功和相对比较失败的案例总结翻拍中应注意的问题,最后概述翻拍要素在各种节目形式中的利与弊；第四章基于前几章的基础上梳理出电视剧翻拍的问题和对策,分别归纳翻拍剧中出现的问题和解决的方法,从社会、受众、市场等多角度全面分析国产电视剧集成功的要素以及国产电视剧的出路。
[Abstract]:With the rapid development of TV series industry in our country, the means of TV drama genre creation are gradually diversified. As an important way and means of film and TV drama creation, remake has been since the day of screen production. With the innovation and progress of technology, many excellent literary works have been put on the big screen. At the same time, foreign TV plays have set off an upsurge in the audience of young people in the mainland of China. In order to meet the needs of the young audience, remake plays have become the new favorite of people. Based on the present situation of domestic film and television dramas, this paper focuses on the analysis of why domestic movies and TV plays are produced and low in every aspect of the production of TV series, from the writing skills to the market. From type drama to custom drama, from the phenomenon of hot and hot follow the trend to reveal the original rare domestic drama harms. By analyzing and comparing the good and bad of the current domestic TV series, we discuss the success of many TV series each has its own strengths as well as the failure of each short. The author thinks that it will be a way out for domestic TV dramas in the future. This paper studies the recent remake of domestic TV series from a certain theoretical perspective and a number of social and cultural perspectives. The full text is divided into four chapters. In the first chapter, the author gives a macro overview of the theory of remake and the whole situation and research status of the remake series, and explains the concept of remake from the definition of remake, the course of development, and the theoretical method of remake. Chapter two is divided into two parts: first, from the aspects of quantity, quality, content, characteristics, etc. The survival status of domestic TV series is expounded as a whole. Secondly, the specific situation of domestic TV series remake is summarized, and based on the content source of TV series remake, the source of remake material is expounded in three aspects. The third chapter focuses on the analysis of the situation of domestic remake TV dramas, and compares them with specific films. Finally, it summarizes the advantages and disadvantages of remake elements in various program forms. The fourth chapter combs out the problems and countermeasures of TV remake based on the previous chapters. This paper summarizes the problems and solutions in the remake, and analyzes the factors of success of domestic TV series and the outlet of domestic TV series from the perspectives of society, audience, market and so on.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.2

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