蒙古族电影中的民俗探究

发布时间：2018-04-01 19:30

本文选题：蒙古族民俗　切入点：蒙古族电影　出处：《大连工业大学》2013年硕士论文

【摘要】：民俗被创造出来并以新的形式伴随着旧有民俗“生存”下来，中国影视作品关于从少数民族题材的大多都体现出了独具特色的中国少数民族影视面貌，这都要归功于我国丰富的少数民族资源，正是从这些民俗文化资源中汲取养分，进行融合、传承少数民族文化，形成了，拓展了整个中国影像的表现对象和空间。而蒙古族影像一向以鲜明的民俗特色见长,地域特色鲜明的画面造型、民族色彩浓郁的民情礼俗、宗教信仰、音乐服饰以及蕴含于其中的深层的民族文化意识等共同构成了其鲜明浓郁的民族风格,为影像的民俗研究提供了典型的文本。新时期以来，随着蒙古族电影人才的成长，越来越多的具有民族身份的电影人参与的民族电影，蒙古族电影液越来越受到热门的关注。直至上世纪80年代末，蒙古族导演独立执导的影片还寥寥无几，蒙古族主创人员主要是以编剧或演员等协助身份参与民族电影的制作的。而到了90年代以后，越来越多的蒙古族导演开始了独立执导影片，其中以塞夫、麦丽丝、宁才为代表的新一代优秀编导人员最为著名。30年来，蒙古族影像在艰难的探索中茁壮成长，并逐渐与国际接轨，受到世人瞩目。少数民族影像作品，，以影像这种最具视听表现特性的文化传媒方式来表现少数民族的历史、风土人情、生活方式以及民族习俗、自然风光等，直接迅速地反映少数民族生活，并延伸出更宽泛和丰富的文化内涵。而现有的关于蒙古族民俗文化研究成果和结论并不是一个新的课题，但是对影像作品中的民俗文化研究，以及民俗事象与影像作品存在何种关系，还没有既成的体系，基本上还处在个体的零散研究。首先是宏观背景关照少，现象分析多。对于影视中火量民俗的运用的原因并没有一个很好的解释，缺少影像与民俗双向关系研究；其次是实证分析少，理论分析多。以往研究中存在的不足以及研究的不深入、不系统，阻碍了对影像中民俗文化研究的深入，更不要说对影像中的民俗在实践中的引领与指导。随着中国影像事业的发展与成熟，国际化交流的增加，多元化世界下，需要寻找到走向世界的艺术策略，民俗研究是十分重要的部分。对于蒙古族影像，作品中的民俗风情不但是对蒙古族文化的记录与传递，也是蒙古族文化登上世界舞台尽情展示的阶梯。因而，研究蒙古民族的民情风俗，总结和概括蒙古族传统文化，研究其珍贵的精神财富，探求其文化观念与根脉，成为一代又一代研究者的重要课题。
[Abstract]:Folklore has been created and accompanied by the "survival" of old folklore in a new form. Most of the films and TV works in China on the subject matter of ethnic minorities reflect the unique features of Chinese minority film and television. This is due to the rich minority resources in our country. It is from these folk cultural resources that we draw nutrients, integrate them, and pass on the minority cultures. It has expanded the object and space of the whole Chinese image, while the Mongolian image has always been characterized by distinct folk customs, distinctive image modeling with regional characteristics, rich national color, etiquette and custom, religious belief, The musical dress and the deep national cultural consciousness contained in it together constitute its distinct and rich national style, which provides a typical text for the study of the folk customs of the image. Since the new era, with the growth of Mongolian film talents, more and more national identity filmmakers participate in national films, Mongolian film fluid has been more and more popular. Until the end of the 1980s, There are still very few films directed independently by Mongolian directors. Mongolian creators mainly participate in the production of national films as writers or actors. But after the 1990s, More and more Mongolian directors have started to direct films independently, among which Seif, Alice and Ning are the most famous of the new generation of excellent editors. Over the past 30 years, Mongolian images have thrived in hard exploration. And gradually in line with international standards, the world attention. The image works of ethnic minorities, which express the history, local customs, way of life, national customs, natural scenery and so on, directly and rapidly reflect the life of ethnic minorities by using video images, which are the most audio-visual and audio-visual cultural media, to express the ethnic minorities' history, local customs, ways of life, and natural scenery. And extend the broader and richer cultural connotations. And the existing research results and conclusions on Mongolian folk culture is not a new topic, but the study of folk culture in the image works, And what is the relationship between folklore and video works? there is no established system, basically, it is still in the individual scattered research. First of all, there is little attention to the macro background. There is not a good explanation for the use of fire folklore in film and television, and there is no research on the two-way relationship between image and folklore; secondly, there is less empirical analysis. There are many theoretical analyses. The shortcomings of previous studies and the lack of in-depth and systematic research hinder the study of folk culture in the image, not to mention the guidance and guidance of the folklore in practice. With the development and maturity of China's image industry and the increase of international communication, in the diversified world, it is necessary to find out the art strategy to the world. The study of folk custom is a very important part. The folk customs in the works are not only the record and transmission of Mongolian culture, but also the ladder of Mongolian culture on the world stage. Studying its precious spiritual wealth and seeking its cultural ideas and roots has become an important task for generations of researchers.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】