奉俊昊导演艺术研究
发布时间:2018-04-01 20:18
本文选题:奉俊昊 切入点:主题 出处:《河北大学》2015年硕士论文
【摘要】:二十世纪九十年代末,电影界的“韩流”可谓“风光无限”。中国电影市场的逐步开放,为电影界的“韩流”在中国的发展提供了有利条件。因此,《我的野蛮女友》《生死谍变》《杀人回忆》《汉江怪物》等影片不但屡破票房纪录,而且颇受业界好评,大有席卷整个亚洲的趋势。奉俊昊凭借其独树一帜的艺术风格在韩国影坛众多杰出人才中成为最引人注目的导演之一。从处女作《绑架门口狗》到2014年刚刚上映的《雪国列车》,奉俊昊已有五部长篇电影问世,这些影片荣获了韩国电影大钟奖、青龙奖、乃至亚洲各大电影奖项,并得到国际影坛的一致肯定。伴随着《雪国列车》的热映,观众和电影评论界又掀起了一阵“奉俊昊热潮”。当下影坛中能将电影的艺术性与商业性完美结合的导演并不多,奉俊昊算是其中一个,他的影片《杀人回忆》《怪物》《母亲》等既叫好又叫座。此外,奉俊昊在执导之余还参与剧本创作,形成了属于自己的个性化电影体系,他对类型片的执导极为驾轻就熟,其导演艺术十分值得研究借鉴。本论文将奉俊昊放置于韩国时代、社会、文化的大背景下去研究他导演风格的形成过程,并对其电影作品进行梳理,力求对他作品中意蕴深远的电影主题、独具特色的叙事模式和视觉艺术展开深入分析,走进他独特的电影艺术世界。
[Abstract]:At the end of the 1990s, the "Korean Wave" in the film industry could be described as "boundless scenery." with the gradual opening up of the Chinese film market, This has provided favorable conditions for the development of the Korean Stream in China. Therefore, films such as "my barbaric girlfriend" "impossible," "memories of murder" and "the Monster of the Han River" not only break the box office record repeatedly, but are also well received by the industry. The trend is sweeping across Asia. For his unique artistic style, Feng Junhao has become one of the most prominent directors in the Korean film world. From his debut, kidnapping Dog, to just released in 2014, Feng Junhao became one of the most prominent directors in Korean film industry. In "Snow State Train", Feng Junhao has already produced five long films. These films have won the Korean Film Awards, the Azure Dragon Awards, and even the major Asian film awards, and have been unanimously acknowledged by the international film world. The audience and film critics have set off another "Feng Junhao craze." there are not many directors in the film world who can perfectly combine the artistic and commercial aspects of the film, and Feng Junhao is one of them. In addition, Feng Junhao also participated in the script writing while directing, forming his own personalized film system. He was extremely familiar with the directing of type films. This paper puts Fengjun Hao in the background of Korean era, society and culture to study the forming process of his directing style, and combs his film works. This paper tries to make an in-depth analysis of the profound film theme, the unique narrative mode and visual art in his works, and enters his unique film art world.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J911
【参考文献】
相关期刊论文 前10条
1 卞智洪;二十世纪九十年代后期韩国电影振兴现象产业分析(上)[J];北京电影学院学报;2002年04期
2 陈林侠;论影像的幻觉叙事与主观想象——兼论近年来韩国影片的叙事策略[J];北京电影学院学报;2003年03期
3 杜庆春;;未解决状况的影像策略 奉俊昊电影的问题意识、反省与类型[J];北京电影学院学报;2007年03期
4 黄薇;;析韩国影片《母亲》[J];电影文学;2010年12期
5 柴靖杰;;奉俊昊:从《杀人回忆》到《汉江怪物》[J];电影;2007年08期
6 青溪;;一鸣惊人奉俊昊[J];大众电影;2007年21期
7 郭宁;;一首舐犊情深的悲歌[J];大众电影;2009年15期
8 郭瑞佳;;无关缉凶,只为追忆那段忘却的历史:《杀人回忆》[J];电影文学;2006年06期
9 江南偏南;韩国夜与痛“杀人的回忆”[J];电影评介;2004年08期
10 万s,
本文编号:1697135
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/1697135.html