从2D到3D：视觉文化时代电影之审美探析

发布时间：2018-04-02 19:44

本文选题：2D电影　切入点：3D电影　出处：《上海师范大学》2013年硕士论文

【摘要】：本文以视觉文化时代为研究背景，以电影技术从2D到3D的转变为切入点，梳理电影技术从2D到3D明显的进步、难以避免的局限性，以及由此产生的视觉感官效果、观者审美状态之异同。在视觉技术作用下，这些感官效果的差异、以及审美状态的异同，是怎样体现的呢？以2D电影为基础，逐渐繁荣和发展的3D技术和3D电影，其对于受众的电影审美活动来说实现了怎样的跨越？在此过程中，它是否也有着阻碍电影审美活动的一面呢？带着这些疑问，本篇论文将细述。运用文本分析法、文献调查法、比较分析方法、推理分析方法对3D技术进行详细研究，做“审美探析”。在3D视觉技术条件下，人们的审美方式发生转变，观者在视觉经验、情感体验、审美需求方面有了不同于2D电影审美体验的地方。本文在视觉文化时代背景下，梳理3D电影的勃兴及其带来的视觉革命和视觉感官效果，从3D电影本身出发，探析3D电影本身的美学特性和美学意义；从观赏者出发，探析3D电影对其审美方式、审美体验等方面产生的深刻影响；从3D电影制作者的角度出发，探析视觉技术审美活动对其制作者思维的影响，剖析电影技术在从2D到3D的转变过程中，其审美状态的改变及异同点，并对3D电影的审美活动进行辨证地分析和认识。首先，，通过文献分析，厘清国内外对“3D电影”审美研究现状，明晰已经取得的成绩、发展水平，以及存在的问题，简单介绍与本研究相关其他领域研究现状。提出所要达到的目标，陈述研究内容，探析拟解决的关键问题。其次，在视觉文化时代这样的大背景下，对视觉技术的发展演进做交待，首先从技术层面简要介绍2D和3D技术，然后分析视觉技术从平面的2D到立体虚幻的3D实现了怎样的跨越，以及由于技术跨越带来的新的改变。并分析2D电影和3D电影审美状态之异同。最后，对3D电影审美活动进行辩证分析。在视觉图景泛滥的3D视觉时代，虽3D电影能够给人带来视觉享受和感官震撼，但应对其有更深刻的美学认识。电影科技不断进步，怎样使电影的视觉效果更加精彩却不失艺术价值理应成为制作者永恒的探索和追求。
[Abstract]:This article takes the visual culture age as the research background, with the film technology from 2D to 3D as the breakthrough point, combs the film technology from 2D to the 3D obvious progress, the unavoidable limitation, and the visual sensory effect which produces therefrom,The similarities and differences of the aesthetic state of the viewer.Under the action of visual technology, how does the difference of these sensory effects and the similarities and differences of aesthetic state reflect it?On the basis of 2D film, the 3D technology and 3D film, which is flourishing and developing gradually, has achieved what kind of leaps and bounds for the audience's film aesthetic activities?In this process, does it also have the side that obstructs the movie esthetic activity?With these questions in mind, this paper will elaborate.Using text analysis, literature survey, comparative analysis and reasoning analysis, 3D technology is studied in detail, and "aesthetic analysis" is done.Under the condition of 3D vision technology, people's aesthetic style has changed, and the viewer has different aesthetic experience from 2D film in visual experience, emotional experience and aesthetic demand.Under the background of visual culture, this paper combs the flourishing of 3D film and its visual revolution and visual sensory effects, analyzes the aesthetic characteristics and aesthetic significance of 3D film from the perspective of 3D film itself, and sets out from the viewer.This paper probes into the profound influence of 3D film on its aesthetic mode and aesthetic experience, analyzes the influence of aesthetic activities of visual technology on its creators' thinking from the angle of 3D film makers.This paper analyzes the changes and similarities and differences of the aesthetic state of film technology in the course of the transformation from 2D to 3D, and dialectically analyzes and understands the aesthetic activities of 3D films.First of all, through the literature analysis, to clarify the domestic and foreign "3D film" aesthetic research status, clear achievements, development level, as well as existing problems, a brief introduction to this research related to other areas of research.Put forward the goal to be achieved, state the contents of the research, and explore the key problems to be solved.Secondly, under the background of visual culture era, the development and evolution of visual technology are explained. Firstly, 2D and 3D technologies are briefly introduced from the technical level.Then it analyzes how the visual technology has been realized from 2D to 3D, and the new changes brought about by the technological leapfrogging.And analyzes the aesthetic state of 2D film and 3D film similarities and differences.Finally, the aesthetic activities of 3 D films are dialectically analyzed.In the age of 3D vision, 3D movies can bring people visual enjoyment and sensory shock, but they should have a deeper aesthetic understanding.With the development of film science and technology, how to make the visual effect more wonderful without losing the artistic value should be the eternal exploration and pursuit of the producer.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J901

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