许鞍华镜头下的香港文艺电影

发布时间：2018-04-03 12:42

本文选题：许鞍　切入点：华香港文艺电影　出处：《上海师范大学》2013年硕士论文

【摘要】：在商业电影、类型电影、娱乐电影充斥着香港影坛时，许鞍华作为香港新浪潮的旗手，始终坚持着自己的立场，创作出了一部又一部的文艺片佳作。许鞍华的影片在表达人文关怀的同时，从未忘记对电影的大众化追求，所以尽可能在自己的电影世界里，创作出既接近观众心理诉求同时又表达出个人独特特色的优秀电影。许鞍华的文艺片不仅仅有对外部世界的观察和思考，也有对内心世界的问答和关怀，这点在香港女性导演中算是先拔头筹的，她的作品呈现给观众的是裹挟着大人文，大情怀的以正压倒一切的质感。借于此，笔者研究许鞍华的文艺电影，对许鞍华作品进行梳理，其中着重分析许鞍华文艺电影的特色，港味保留和质朴情怀；除此外，还结合许鞍华文艺电影在与商业电影摩擦中的生存状态，探寻香港文艺电影的未来之路。以上研究都是本文创作的初衷和目的。本文是采用层层递进的论述方式。首先会从整个香港电影历史来分析香港文艺电影的发展，，中间会引出许鞍华的文艺电影作品。其次论述许鞍华文艺电影的特点，研究方式是从港味、质朴情怀和镜头运用等方面分析。其中从文本角度，会着重其港味与质朴情怀的体现，会分析到以本土理念为基础的港式人文情怀以及重细节、创作随意性和题材挖掘、表现形式的质朴性等方面；从创作角度上，会着重分析其电影中所常用的长镜头、隐喻镜头。最后针对许鞍华文艺电影在与香港商业电影摩擦中的生存，结合在商业电影的尝试和港味坚持上的努力，特别是许鞍华近期作品的走向，香港电影的内陆化、合拍片的涌现，以及《桃姐》的成功，探讨香港文艺电影的未来之路。本文通过对许鞍华文艺电影的分析，希望可以为香港文艺电影的未来出路提供一些借鉴。相信香港文艺电影在商业市场下将会同时融合商业元素及艺术气质，最终创作出既满足于市场需求又蕴含浓厚港味的优秀作品。
[Abstract]:When commercial movies, genre films and entertainment films filled the Hong Kong film scene, Hui Anhua, as the flag bearer of the new wave of Hong Kong, always adhered to his own position and created one good piece of literary and artistic film after another.While expressing humanistic concern, Hui Anhua's film never forgets the popular pursuit of the film, so as far as possible in his own film world, he creates excellent films which are close to the psychological demands of the audience and also express the unique characteristics of the individual.The literary and artistic films of Hui Anhua have not only the observation and thinking of the outside world, but also the questions and answers and concerns about the inner world. This is the leading point among the Hong Kong female directors. Her works present the audience with a great humanity.An overwhelming sense of emotion.With this in mind, the author studies Xu Anhua's literary and artistic films and combs his works, which focuses on the analysis of the characteristics, Hong Kong flavor and simplicity of Xu Anhua's literary and artistic films. In addition,It also explores the future of Hong Kong's literary and artistic films in the light of the existence of Hui Anhua's literary and artistic films in the friction with commercial films.The above research is the original intention and purpose of this paper.This article is to adopt the layer by layer progressive discussion way.First of all, the development of Hong Kong's literary and artistic films will be analyzed from the whole history of Hong Kong's films, which will lead to Hui An-hua 's works of literary and artistic films.Secondly, it discusses the characteristics of Xu Anhua's literature and art films, and analyzes the research methods from the aspects of Hong Kong flavor, simple feelings and lens application.From the perspective of the text, it will focus on the Hong Kong flavor and simple feelings, will analyze the Hong Kong-style humanistic feelings based on the local concept, as well as the emphasis on details, creative randomness and theme mining, expression form of simplicity and so on;From the creative point of view, will focus on the analysis of the film used in the long lens, metaphorical lens.Finally, aiming at the survival of Hui Anhua's literary and artistic films in the friction with Hong Kong's commercial films, combined with the efforts made in commercial films and Hong Kong's persistence, especially the trend of Hui Anhua's recent works, the inland nature of Hong Kong films, and the emergence of co-productions,And the success of "Peach Sister", to explore the future of Hong Kong literature and art movies.Based on the analysis of Hui Anhua's literary and artistic films, this paper hopes to provide some references for the future of Hong Kong's literary and artistic films.It is believed that under the commercial market, Hong Kong literature and art films will combine commercial elements and artistic temperament, and finally create outstanding works which not only satisfy the market demand but also contain strong Hong Kong flavor.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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