香港与台湾电影的互动及其影响研究（ 1949——1979）

发布时间：2018-04-04 08:07

本文选题：电影互动　切入点：香港电影　出处：《中国艺术研究院》2017年硕士论文

【摘要】：1949年至1979年,是世界冷战格局形成及斗争最激烈的阶段。在国内,香港与台湾都对内地采取了封锁政策,使得两岸三地的联系暂时被割断,形成了大陆被隔绝,只有香港、台湾两地能够进行交流的局面。本文主要论述这一背景下香港、台湾两地的电影在政治、产业和美学上的交流与互动规律:第一章,主要论述香港、台湾两地在1949年至1979年间的政治环境及电影政策,聚焦不同年代的香港和台湾在政治共识上所达到的深度及广度,并简略分析香港、台湾两地的电影政策对双方产生的影响。第二章,探讨香港与台湾电影的产业互动。主要梳理香港与台湾在产业初创期、发展期和繁荣期的互动,重点分析香港、台湾两地具有代表性的电影公司如邵氏兄弟(香港)电影有限公司、嘉禾电影公司等对台湾电影产业带来的影响。第三章,研究香港与台湾电影的美学互动。简要梳理新武侠片、抗日战争电影、黄梅调电影及琼瑶电影等电影类型的发展历程,并从互文性角度分析这几类电影类型经过本土化置换后在美学上的异同。本论文将运用地缘政治理论、产业理论、文化身份/身份认同理论、互文性理论等理论基础及研究方法,对香港、台湾在1949年至1979年间的电影互动交流从史学角度进行梳理、分析。
[Abstract]:From 1949 to 1979, it was the most intense stage of the formation and struggle of the world cold war pattern.In the mainland, both Hong Kong and Taiwan have adopted a blockade policy on the mainland, which has temporarily cut off the ties between the two sides of the Taiwan Strait, resulting in a situation in which the mainland is isolated and only Hong Kong and Taiwan can conduct exchanges.This paper mainly discusses the political, industrial and aesthetic exchange and interaction of films in Hong Kong and Taiwan under this background: chapter one mainly discusses the political environment and film policy of Hong Kong and Taiwan from 1949 to 1979.Focus on the depth and breadth of the political consensus between Hong Kong and Taiwan in different ages, and briefly analyze the impact of the film policies of Hong Kong and Taiwan on both sides.Chapter two discusses the industrial interaction between Hong Kong and Taiwan films.Mainly combing the interaction between Hong Kong and Taiwan in the beginning, development and prosperity of the industry, focusing on the analysis of Hong Kong and Taiwan's representative film companies such as Shao Brothers (Hong Kong) Film Co., Ltd.The impact of Jiahe Film Company on Taiwan Film Industry.The third chapter studies the aesthetic interaction between Hong Kong and Taiwan films.This paper briefly combs the development course of new martial arts films, anti-Japanese war films, Huang Mei's films and Qiong Yao films, and analyzes the aesthetic similarities and differences of these film types after the localization replacement from the angle of intertextuality.This paper will use the theory of geopolitics, industry theory, cultural identity / identity theory, intertextuality theory and other theoretical basis and research methods to sort out the interactive exchange between Hong Kong and Taiwan from 1949 to 1979 from the perspective of history.Analysis
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J909.2

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