“动物的呼唤”：解读当代美国动物电影的生态思想

发布时间：2018-04-04 08:31

本文选题：动物题材电影　切入点：生态思想　出处：《重庆师范大学》2013年硕士论文

【摘要】：生态批评是二十世纪七十年代出现的一种文学文化批评模式，目前已经成为当代西方乃至世界范围内文学文化批评的重要力量。生态批评探讨人与自然之间的关系以及环境恶化、物种灭绝和生态危机的根源。生态批评家关注动物的权利，倡导生态整体主义，人与生态圈、动物和谐相处。当代美国动物题材电影出现在二十世纪四五十年代，主要包括真实还原动物生存状态的文艺纪录片、以动物为主角的故事片和融入记录手法的剧情片三种形式。它无法归入任何一种传统的电影类型，但随着近年来影视艺术和科技手段的快速发展，动物电影已从简单的儿童影片发展为具有丰富审美价值和深刻生命伦理内涵的电影形式。很多动物电影对人类的生态问题有着深入的思考，，为唤醒人们的生态意识，建立和谐社会发挥着重要作用。到目前为止，对当代美国动物题材电影的研究主要集中在动物电影的形式、东西方动物题材电影的比较、动物电影中的动物角色等方面，从生态批评的角度进行解读的不多。鉴于此，本文选取具有代表性的三部当代美国动物电影《大象的眼泪》、《马语者》和《猩球崛起》作为分析的文本，尝试从生态批评的角度对其中所蕴含的动物权利论、生态整体主义思想及对现代人人类中心主义行为的警示进行解析。本研究旨在通过文学批评唤醒生态意识，创造出人类、动物和自然环境和谐相处的人类文化和社会发展模式，进而为减轻物种灭绝和生态危机做出贡献。
[Abstract]:Ecological criticism is a literary and cultural criticism pattern which appeared in the 1970s and has become an important force in the contemporary western and even worldwide literary and cultural criticism.Ecological criticism explores the relationship between man and nature and the causes of environmental degradation, species extinction and ecological crisis.Ecological critics pay attention to the rights of animals, advocate ecological holism, human and ecological circle, live in harmony with animals.Contemporary American animal-themed films appeared in the 1940s and 1950s. They mainly include literary and artistic documentaries that truly restore the living state of animals, feature films with animals as the protagonists and feature films with recording techniques.It can not be classified as any traditional film type, but with the rapid development of film and television art and scientific and technological means in recent years, animal film has developed from a simple children's film to a film with rich aesthetic value and profound ethical connotation of life.Many animal films have deep thinking on the ecological problems of human beings and play an important role in arousing people's ecological consciousness and building a harmonious society.Up to now, the research on contemporary American animal films mainly focuses on the form of animal films, the comparison between eastern and western animal films, animal roles in animal movies, and so on, but it is not much interpreted from the angle of ecological criticism.In view of this, this paper chooses three representative contemporary American animal films, "tears of Elephants", "Horse speakers" and "the rise of the Ball of the Apes" as the analysis text, and tries to analyze the animal rights theory contained in them from the angle of ecological criticism.Ecological holism and the warning of modern anthropocentrism are analyzed.The purpose of this study is to awaken ecological consciousness through literary criticism and to create a harmonious human culture and social development model for human, animal and natural environment, thus contributing to alleviating the extinction of species and ecological crisis.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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