消费空间、民族话语与民族主义消费文化——“国片复兴”运动再认识

发布时间：2018-04-05 03:39

本文选题：消费主义文化　切入点：电影史　出处：《当代电影》2017年08期

【摘要】：正兴起于20世纪30年代初的"国片复兴"运动,在电影史的书写和重构中一直占据着显要的位置。从以往的史述来看,对"国片复兴"运动的论述大多集中在史实性资料的梳理、影像文本的文化阐释以及肯定其接续"新兴电影"运动的意义,但缺乏将其纳入消费视野中的讨论。电影的商品属性,使"国片复兴"运动可以被纳入近代中国广泛发生的"国货运动"的历史脉络中进行考量。罗明佑发起的"国
[Abstract]:The "National Film Revival" movement, which is rising in the early 1930s, has always occupied a prominent position in the writing and reconstruction of film history.From the historical narration of the past, the discussion of the "National Film Revival" movement is mostly focused on the combing of historical facts, the cultural interpretation of the image text and the affirmation of the significance of its continuation of the "emerging Film" movement.But there is a lack of discussion to include it in the perspective of consumption.The commodity attribute of the film makes the "National Film Revival" movement to be taken into account in the historical context of the "Chinese goods Movement" which has taken place widely in modern China.Luo Mingyou's "country"
【作者单位】：中国艺术研究院;
【分类号】：J909.2

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