吸血诱惑：论吸血鬼流行文化中的性别意识嬗变

发布时间：2018-04-10 01:35

本文选题：吸血鬼流行文化　切入点：性别意识　出处：《陕西师范大学》2014年硕士论文

【摘要】：二百多年以前,吸血鬼形象便开始在西方社会土壤中孕育而出了。伴随着时代的巨大变迁以及传播媒介的日新月异,以吸血鬼形象为主题的文学影视作品创作风潮经历了三重迭起,作为一种不可忽视的流行文化现象已逐步深入全球文化传播的场域。如若说于十八世纪中后期兴起的恐怖型哥特式文学是吸血鬼最初单纯骇人、邪恶的“他者”符号的源头,那么在经历了十九世纪逐步萌芽的女性平等主义思想、二十世纪广泛兴起的女权主义运动以及美国性解放风潮等社会事业的推进之后,吸血鬼作为一个完全虚构的形象被赋予了更加深刻、多重、复杂的人性,其中无不反映着大众情感欲望、当代社会文化以及受众审美心理的变化。吸血鬼题材的诗歌、小说、绘画、电影作品层出不穷,与之相应地,研究和分析吸血鬼形象的理论观点也绝不缺乏,尤其是西方学术界对此进行了深入的阐述讨论,但国内对此的理论研究还处于认识学习阶段。由于吸血鬼本身生理性别已死但社会性别存在导致了其性别身份认同混乱,因而对吸血鬼“性、性别、欲望”的探索无疑是重要的一环。本文在诸多侧重方面中选择吸血鬼流行文化中的性别意识嬗变作为研究的主要切入点,并按照如下的段落分别展开纵向及横向论述：第一章引言部分笔者首先对吸血鬼流行文化的研究背景进行梳理总结并做理论综述,着重分析了论文的选题和意义,此外还涵盖了对国内外学术研究现状的分析概括。认为国内学术理论著作对吸血鬼性别意识嬗变的方面有所涉及,但较为浅显和分散,至今还未有系统的、深入而广泛的相关研究出现。第二章具体就吸血鬼流行文化中性别意识流变分期和相关社会背景展开讨论,并辅以同时期重要文本的客观性解读。笔者认为按照兴起的时间规模和社会背景,吸血鬼性别意识的流变可大致分为三个时期及特点,分别是：初期男性视角中心叙述与维多利亚时代女性观、中期女性强化叙述与七十年代美国(性、同性恋、女性等的)解放进程、以及后期传统两性角色的平缓回归与新时期的性别歧视。不可否认的是,每一次吸血鬼形象的革命性变革,都是对虚幻世界背后隐含的现实人生写照。第三章则针对前文未能涵盖到、又较为重要的相关话题展开更加深入的讨论,主要对吸血鬼同(双)性恋情结、吸血鬼的二次复活与艾滋恐惧、对禁欲和纵欲的暗示、以及女性主义的再阐释等议题结合相关文本进行了深入的横向拓展分析。笔者认为通过吸血鬼的形象,人们实则表达了对自己身处社会文化中所历经种种矛盾的不解、恐惧、欲望、以及难以诉说的苦楚,此外还反映了对于社会文化中部分“边缘人”群体的关注。总之,通过对吸血鬼文学影视作品中所流露出的性别意识的分析研究,本文试图深入挖掘出吸血鬼身上所折射的人性困惑,尤其是身处主流社会生存规则之外“他者”群体的生存状况和精神面貌。
[Abstract]:More than 200 years ago, the vampires began in the western society bred out. With the era of great change and media change rapidly, creation of film and television works in literary trend as the theme of the vampire image through three heavy field after another, as a significant pop culture phenomenon has been gradually deepening of global culture spread. Should the terrorist of Gothic literature in the late eighteenth Century to the rise of the original simple terrible evil vampire, "the other" symbol of the source, then in nineteenth Century experienced a gradually budding female egalitarianism, after the feminist movement and the rise of the United States in twentieth Century many sexual liberation and other social undertakings to promote the trend, as a vampire. A completely fictional image was given a more profound, multiple, complex human nature, which reflected the public sentiment Desire, contemporary social culture and changes in the audience's aesthetic psychology.
Vampire themed novels, poetry, painting, film works correspondingly, emerge in an endless stream, theory research and analysis of the vampire image will not lack, especially in the western academic circles have conducted in-depth discussions, but the theoretical research in China is still in the learning stage. Because the Vampire Sex itself is dead but gender due to its gender identity disorder, so the vampire ", sex, desire to explore" is undoubtedly an important part. This paper chooses the gender consciousness evolution vampires in popular culture in many aspects as the main focus of the research breakthrough point, and in accordance with the following paragraphs respectively discusses the vertical and horizontal:
The first chapter is the introduction part of the first vampire pop culture background summary and overview of the theory, analyzes the topic and significance of the paper, also covers academic research at home and abroad are summarized. The domestic academic works that has involved in the vampire sex consciousness evolution, but relatively simple and scattered, has not yet been systematically, in-depth and extensive research. The second chapter is the vampire pop culture of gender consciousness and social background of rheological stage discussions, supplemented by the same period important text interpretation objectivity. I believe that in accordance with the rise of the time scale and the social background, the vampire sex consciousness can be roughly rheological is divided into three periods and the characteristics are: the initial center and Vitoria Times described the male perspective view of women, women in the mid of Syria The United States (and 70s, female homosexuality, etc.) the process of emancipation, gender discrimination and the new period and the late slow regression of traditional gender roles. It is undeniable that the revolutionary change of every vampire image, are hidden behind the illusory world of real life portrayal. The third chapter based on the previous failed to cover, also launched related topics more important more in-depth discussion, mainly on the same vampire (double) love complex, two times the resurrection and the fear of AIDS vampire, abstinence and sexual cues, and feminist issues associated with the re interpretation of the text are analyzed deeply. The author thinks that the horizontal expansion through the image of the vampire, but people expressed puzzled, after himself in all sorts of contradictions in the social culture of fear, desire and suffering, it is difficult to tell, in addition to reflect the social culture Part of the "marginal man" in the group's attention. In short, through the analysis of gender consciousness reveals to the vampire literature in film and television works, this paper tries to dig out the nature of vampires reflects the confusion, especially in the mainstream social survival rules beyond the "other" group survival situation and spiritual outlook.

【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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