论小津安二郎电影中的日本传统审美意识

发布时间：2018-04-10 02:20

本文选题：小津安二郎　切入点：日本传统审美意识　出处：《华东师范大学》2013年硕士论文

【摘要】：在岛国地理位置的影响下,日本人形成了独特的文化性格和精神结构,进而形成了崇尚物哀、幽玄、风雅的美学意识。作为日本文化的一个重要组成部分,日本电影不可避免的融入了这些美学意识。小津安二郎被称为“最具日本特色的电影导演”。在他的作品中,深深渗透了大和民族特有的传统美学观念。他将其发挥到极致,并成功地征服了全世界的观众。虽然目前对小津电影的研究热潮持续不退,但系统、全面地分析其作品中体现日本传统审美的相关研究仍较为罕见。本文将以日本传统审美意识为切入点,采用文本分析与美学理论相结合的方法,来探讨民族传统审美对电影作者创作风格的影响。通过将日本传统审美意识中的物哀、幽玄、风雅这三个主要支柱与小津电影的文本内涵、镜头语言、叙事相对照分析,来揭示小津电影拥有独一无二魅力的原因所在。本文将对小津影片进行细致分析,解释小津作品“最日本”的深层缘由。小津电影的主题内涵是为了表现“物哀”。他将人情放在首位,将两代人之间、男女之间、社会时代中的物之哀情描写的淋漓尽致。除此之外,在镜头语言的运用上,小津又加入了“幽玄”的美感。无论是摄影、表演还是画面,都充满了端庄、宁静、幽深、甚至神秘。而在叙事方面,小津又借用了日本独有的文学样式——俳句的创作特点,在叙事节奏、叙事策略和叙事风格上都独树一帜,体现了“风雅”之美。由于电影中表现出了浓重的日本传统审美意识,所以,小津安二郎的电影充满了强烈的个人风格和独特的日本韵味。
[Abstract]:Under the influence of the geographical position of the island nation, the Japanese formed their unique cultural character and spiritual structure, and then formed the aesthetic consciousness of advocating the object sorrow, the seclusion and the elegance.As an important part of Japanese culture, Japanese films inevitably incorporate these aesthetic consciousness.Ajiro Kozin is known as "the most Japanese film director."In his works, the traditional aesthetic concept of Daiwa nationality is deeply permeated.He took it to its extreme and succeeded in conquering audiences around the world.Although the current trend of research on Ozu's films has continued, it is still relatively rare to systematically analyze the relevant studies of Japanese traditional aesthetics in his works.This paper takes the Japanese traditional aesthetic consciousness as the breakthrough point, uses the text analysis and the esthetics theory to combine the method, discusses the national tradition esthetic influence to the movie author's creation style.By comparing the three main pillars of Japanese traditional aesthetic consciousness, such as sadness, seclusion and elegance, with the textual connotation, lens language and narration of Ozu's film, this paper reveals the reason why Ozu's films have unique charm.This article will make a detailed analysis of Ozu's film, and explain the deep reason of Ozu's most Japan.The theme connotation of Xiao Jin's film is to show "object mourning".He put human feelings first and vividly described the sorrow between two generations, men and women, and social times.In addition, in the use of lens language, Xiaojin also added the beauty of the "secluded".Whether photography, performance or picture, are full of dignified, quiet, deep, and even mysterious.But in the narrative aspect, Xiaojin borrows the Japanese unique literary style-haiku creation characteristic, in the narrative rhythm, the narrative strategy and the narrative style are all unique, has manifested "elegant" the beauty.Because of the strong Japanese traditional aesthetic consciousness in the film, the movie is full of strong personal style and unique Japanese flavor.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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