时间断层与空间“优位”:后现代主义视阈下的新世纪台湾青春电影

发布时间：2018-04-10 02:37

本文选题：台湾青春电影　切入点：后现代主义　出处：《四川戏剧》2017年03期

【摘要】：2000年后,打破"台湾电影已死"寓言的新一代台湾青春电影成功挽救了岛内电影产业颓势,其对传统意义上同类影片的解构与重建折射出台湾历史政治气候和影视工业整体环境的变化。后现代主义视阈下,新台湾青春电影表现出时间维度上的平面化断层和空间维度上的"超空间"意味,本文以"认知测绘"方式对电影文本进行可行性分析,揭示其在全球语境中的"政治无意识",进而描绘出台湾新青春电影这一典型后现代主义文化文本与社会政治的关系谱系。
[Abstract]:After 2000, a new generation of Taiwanese youth films that broke the fable of "Taiwan film is dead" succeeded in saving the decline of the film industry on the island.Its deconstruction and reconstruction of similar films in the traditional sense reflect the changes of Taiwan's historical political climate and the overall environment of the film and television industry.From the perspective of postmodernism, the new Taiwan youth film shows a plane fault in time dimension and a "hyperspace" meaning in space dimension. This paper analyzes the feasibility of the film text by means of "cognitive mapping".It reveals its "political unconsciousness" in the global context, and then depicts the relationship between Taiwan's new youth film, a typical post-modernist cultural text, and social politics.
【作者单位】：重庆大学;
【分类号】：J905

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