21世纪中国大陆电影中农村女性形象研究

发布时间：2018-04-15 00:11

本文选题：21世纪 + 中国大陆电影　；参考：《四川师范大学》2017年硕士论文

【摘要】：21世纪以来的中国经历着深刻的变革,目前正是国家转型、发展的重要时期。在中国向现代化迈进的过程中,农村女性对乡村社会乃至整个中国社会的发展都做出了巨大的贡献,她们应该得到社会的关注。电影,作为重要的艺术媒介,必将承担起关注农村女性群体的责任。有鉴于此,本篇论文将从文艺学角度给予农村女性群体应有的人文关怀,对21世纪中国大陆电影中的农村女性形象进行分析和阐释。本文将分六章对21世纪中国大陆电影中的农村女性形象进行探析:论文第一章从宏观上对21世纪中国农村女性的普遍处境进行整体上的把握;第二章将根据中国农村女性的形象特征对21世纪中国电影中的农村女性形象进行界定和分类;第三章根据前文分类对电影中的农村女性形象类型做出具体分析;论文第四章主要探讨21世纪中国大陆电影中农村女性形象的塑造方式。最后两章将主要对21世纪中国大陆电影中的农村女性形象建构的现实意义以及建构过程中所存在的一些问题作出思考和分析。第一章考察21世纪中国农村女性的普遍处境:通过对21世纪中国农村女性的普遍处境的整体把握,不难发现:“农村的城市化进程与农村女性身份的松动”、“脱贫之路与农村女性对农村的被迫守望”以及“游走在城市丛林的底层”三个方面大体构成了21世纪农村女性的普遍处境。第二章将从现实回归到电影本身,根据第一章农村女性的普遍处境,按年龄与社会身份将21世纪中国大陆电影中的农村女性分为以下四类:农村女童、农村未婚女性、农村已婚妇女、女性农民工,并在此基础上分析和阐释21世纪中国大陆电影中农村女性的形象特征。第三章将紧密结合电影文本,对21世纪中国大陆电影中的农村女性形象类型做出具体的文本分析,并对电影人物形象背后所蕴含的文化现象及文化成因做具体阐释。第四章是对21世纪中国大陆电影中农村女性形象塑造方式的分析:纪实美学风格下的镜头语言、富有时代特征的服饰造型、特色方言的形象化表达以及丰富多样的叙事方式构成了21世纪中国大陆电影对农村女性形象的主要塑造方式。第五章阐述21世纪中国大陆电影中农村女性形象建构的现实意义。电影通过对农村女性形象的刻画和塑造,不仅反映了21世纪新农村建设的客观现实,也积极地表现出对于农村现实问题的主观思考。第六章作为全文的结尾章节,将针对21世纪中国大陆电影在农村女性形象塑造过程中所存在的偏差、缺失等问题进行思考。总的来说,本文将从电影艺术和社会现实两方面出发,从整体上把握21世纪中国大陆电影中的农村女性形象,通过对电影中农村女性形象的分析挖据出现象背后的现实意义,并针对电影创作中所存在的问题作出相应的思考,以期为今后电影中农村女性形象塑造提供参考。
[Abstract]:China has experienced profound changes since the 21 st century, which is an important period of national transformation and development.In the process of China's modernization, rural women have made great contributions to the development of rural society and the whole Chinese society.Film, as an important artistic medium, will assume the responsibility of paying attention to rural women.In view of this, this thesis will analyze and explain the images of rural women in Chinese mainland films in the 21st century from the point of view of literature and art.This paper will be divided into six chapters to explore the image of rural women in the Chinese mainland films of the 21st century: the first chapter of the paper from the macro perspective of the general situation of Chinese rural women in the 21st century overall grasp;The second chapter defines and classifies the rural female images in Chinese films in the 21st century according to the image characteristics of Chinese rural women, the third chapter makes a specific analysis of the types of rural women images in the films according to the previous classification.The fourth chapter mainly discusses the way of shaping the rural female image in the Chinese mainland film in the 21 st century.The last two chapters will mainly reflect and analyze the realistic significance of the construction of rural female image in Chinese mainland films in the 21st century and some problems existing in the process of construction.The first chapter examines the general situation of Chinese rural women in the 21st century. Through the overall understanding of the general situation of Chinese rural women in the 21st century, it is not difficult to find out: "the urbanization process in rural areas and the loosening of rural women's identity"."the road out of poverty and the rural women's forced watch over the countryside" and "walking in the bottom of the urban jungle" constitute the general situation of rural women in the 21st century.The second chapter will return to the film itself from reality. According to the general situation of rural women in chapter one, according to the age and social status, the rural women in Chinese mainland films in the 21st century can be divided into the following four categories: rural girls, unmarried rural women.Rural married women, female migrant workers, and on the basis of this analysis and interpretation of the image of rural women in mainland China in the 21st century.The third chapter closely combines the film text to make the concrete text analysis to the rural female image type in the Chinese mainland film in the 21st century, and makes the concrete explanation to the cultural phenomenon and the cultural cause behind the movie character image.The fourth chapter is the analysis of the way to portray the rural female image in the Chinese mainland films in the 21st century: the lens language under the documentary aesthetic style, the dress style with the characteristics of the times,The vivid expression of characteristic dialects and the rich and varied narrative methods constitute the main ways of shaping the rural female image in the Chinese mainland films in the 21st century.The fifth chapter expounds the realistic significance of the construction of rural female image in Chinese mainland films in the 21 st century.The film not only reflects the objective reality of the new rural construction in the 21st century, but also shows the subjective thinking about the rural reality through the portrayal and molding of the rural female image.The sixth chapter, as the ending chapter of the full text, will think about the deviation and deficiency of the Chinese mainland film in the process of shaping the rural female image in the 21 ~ (st) century.In general, this paper will start from the two aspects of film art and social reality, grasp the rural female image in the Chinese mainland film of the 21st century as a whole, and dig out the realistic significance behind the phenomenon through the analysis of the rural female image in the film.The author also thinks about the problems existing in the film creation in order to provide reference for the shaping of the rural female image in the future.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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