牧羊人的孤独与漂

发布时间：2018-04-17 04:06

  本文选题：塔洛 + 智美更登　； 参考：《艺术评论》2017年06期

【摘要】：正《塔洛》(2016)是万玛才旦号愤的第五部影片,该片以黑白影像、风格强烈的镜头语言、简浩的叙事等引起广泛关注。万玛才旦的前四部作品《静静的嘛呢石》(2006)、《寻找智美更登》(2009)、《老狗》(2011)和《五彩神箭》(2014)为我们讲述了民族特色鲜明的藏区故事,显示了他对藏族文化的独特认知与细腻感触。《塔洛》一方面延续了导演一贯的反思民族文化、建构自我身份的主题,另一方面又显示了万玛才旦与中国主流电影界对话的尝试。
[Abstract]:"Tarot" 2016) is the fifth film of Wamacaidan's indignation, which has attracted widespread attention with black and white images, strong camera language, and Jane Ho's narration.The first four works of Wan Ma Caidan, "quiet Stone", "Stone" 2006, "looking for the Chi Mei Geng Deng" (2009), "the Old Dog" (2011) and "Wucai Shenjian" (2014), tell us the story of the Tibetan area with distinctive national characteristics.It shows his unique cognition and delicate feeling to Tibetan culture. On the one hand, Tallo continues the director's theme of reflecting on national culture and constructing his own identity, on the other hand, it shows Wan Ma Caidan's attempt of dialogue with the mainstream Chinese film industry.
【作者单位】： 中国人民大学文学院;
【分类号】：J905
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本文编号：1761973