武术、身体与想象乌托邦——中国早期武侠神怪电影的文化探析

发布时间：2018-04-20 22:34

本文选题：文化探析 + 女明星　；参考：《当代电影》2017年02期

【摘要】：正在中国早期电影第一次商业浪潮中,武侠神怪片作为武侠片的亚类型,于20世纪20年代中后期获得鼎盛发展,这在中国早期电影史乃至当代中国类型电影发展中占据着重要位置。本文力图从武术、身体与武侠神怪电影的关系出发,通过对武术如何电影化以及电影如何武术化这两个问题的探讨,分析以武术为核心的中国早期武侠神怪片的电影意识形态及其传达的文化语境。
[Abstract]:In the first commercial wave of early Chinese films, martial arts genie films, as a subtype of swordsman films, flourished in the mid and late 1920s. This occupies an important position in the early history of Chinese film and even in the development of contemporary Chinese movies. This article tries to start from the relationship between martial arts, body and martial arts genie movies, through the discussion of how martial arts become movies and how movies become martial arts. This paper analyzes the movie ideology and cultural context of the early Chinese martial arts genie film with martial arts as its core.
【作者单位】：赣南师范大学新闻与传播学院;厦门大学;

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