主观电影的镜头语言特点

发布时间：2018-04-21 01:10

本文选题：主观电影 + 镜头语言　；参考：《广西师范大学》2016年硕士论文

【摘要】：逾越是主观电影的一个特点,它也经常被视为一个多变的形式。主观电影有两个独特且必不可少的条件：自省性和主观性。意大利电影大师米开朗基罗·安东尼奥尼的作品以其理性的思索、敏锐的审美眼光以及独特的哲学视角,通过对个体生存的关注探求人与外部世界之间的关系。安东尼奥尼的电影作品《米开朗基罗的凝视》是主观电影的典型之作,为我们深入了解主观电影提供了渠道。本文主要对一个尚不清晰的领域进行探索和阐明。主观电影形式多样、深不见底,让人兴趣不减,它是一片开放的实验田,这里没有规则,这个领域中没有真实,只是在制造真实。这些电影能够跨越界限,打破所谓的类型学说,实验并融合多种语言学形式,这也是主观电影魅力不减的精髓和原因所在。这个领域的重要性日渐增加,不仅对电影研究如此,对各种不断变化的、已经占据大众传媒、文学、视听、电子和艺术领域的主观和自传式表达形式亦是如此。和其他更宽泛更主流的流派、主题和电影形式相比,这是一个相对小众的领域。通过对主观电影的研究与实践鼓励人们更个人、更主观地参与到电影中,并促使实验电影和独立电影等多种电影形式的发展。第一章首先简要概述主观电影(作者电影)的发展概况。第二章具体研究主观电影以及对主观电影的镜头语言的分析。第三章具体分析主观电影对当下中国电影的意义。第四章是通过以上的探究对主观电影进行创作实践研究。
[Abstract]:Transcendence is a characteristic of subjective films, and it is often seen as a variable form. Subjective film has two unique and indispensable conditions: introspection and subjectivity. Michelangelo Antonioni, an Italian film master, explores the relationship between human beings and the outside world through his rational thinking, keen aesthetic vision and unique philosophical perspective. Antonioni's film Michelangelo's gaze is a typical work of subjective film, which provides a channel for us to understand subjective film deeply. This article mainly explores and clarifies a field which is not clear yet. Subjective movies come in a variety of ways, deep and interesting. It's an open field of experimentation. There are no rules. There's no reality in this field. It's just creating reality. These films can cross the boundary, break the so-called genre theory, experiment and merge various linguistic forms, which is the essence and reason why the subjective film charm is undiminished. The importance of this field is growing, not only for film studies, but also for the variety of subjective and autobiographical expressions that have occupied the mass media, literature, audiovisual, electronic and artistic fields. This is a relatively niche area compared with other broader, more mainstream genres, themes and film formats. Through the research and practice of subjective film, we encourage people to participate in the film more personally and subjectively, and promote the development of many kinds of film forms, such as experimental film and independent film. The first chapter briefly summarizes the development of subjective film (author's film). The second chapter studies the subjective film and the analysis of the lens language of the subjective film. The third chapter analyzes the significance of subjective film to current Chinese film. The fourth chapter is the above-mentioned research on subjective film creation practice.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905

【相似文献】