李沧东电影作品的诗性研究

发布时间：2018-04-24 01:28

本文选题：电影诗学 + 李沧东　；参考：《西南大学》2013年硕士论文

【摘要】：电影作为文化产业的重要一支,是文化传播效应最具全球性的一个文化产品。在各国政府日益强调文化产业发展重要性的当下,电影的产业属性已经获得了全球电影界广泛而深入的关注。然而注重电影产业化发展的背后,却是电影界对电影本体艺术性征研究的式微以及实践探索的减少。诚如罗伯特·C·艾伦和道格拉斯·戈梅里两位学者在《电影史：理论与实践》一书中所强调的那样,对电影的认识必需建立在一个开放的认知视角上进行观照和研究,对电影的系统性认识对电影研究和创作实践都具有十分重要的意义。诗性,作为电影艺术创作的重要原则和有效方法,以其独特的内在涵养以及视觉奇观一度成为电影界关注的重要方面,对电影诗性性征的挖掘和探索成为电影理论界和实践活动的重点。然而,在日渐强调电影产业效应的今天,对电影诗性性征的研究已经逐渐受到电影创作者们的忽视。作为韩国新电影的中坚力量之一,享有“叩问生命的诗人”之美誉的李沧东导演,以不同于他者的胆识和气魄,对电影诗性性征进行深入研究和探索,创造性地将电影类型化理论、经典好莱坞叙事结构等商业元素融入于诗性性征的表达中,以期获得电影艺术性征与商业性征的平衡。纵观其五部电影作品,浓郁的诗性气质不仅表现在对电影诗性语言的适度把握以及影像表达的现实主义风格,更在于其对诗性内涵的深刻理解,即在深切的人文关怀基础上的人性拷问。他的作品有着残酷的现实主义风格,然而与同时代的金基德、洪尚秀等所不同的是,他的电影作品内核在于注入对社会发展进程中不同社会问题与矛盾的深入思考,力图在客观呈现绝望现实之中展现人性的真善美：他的作品饱含深邃的东方哲思,然而与其他强调诗性性征表现手法的导演所不同的是,他的影像镜语体系有着鲜明的时代性和多类型元素的杂糅性征。李沧东导演对诗性性征的研究和实践乃是基于对电影本体艺术性征思考的基础上,强调将东方诗性哲思和西方诗性表现手法进行有效结合,以此获得对现代社会普遍存在的问题的客观思考以及对身处这一时代中的人与人性的精神拷问。本文将从李沧东导演电影创作的产业语境与文化环境入手,通过对其身处的社会文化环境的探究和韩国文化产业发展的轨迹的梳理,在结合对李沧东导演的创作历程的归纳基础上获得李沧东导演注重电影诗性性征探索的主要因素。接下来,在追溯诗性性征的基础上,获得电影诗性性征的理解,并对本论文的论点进行明确的论证。进而在对李沧东导演五部作品深入分析的基础上,总结其电影作品诗性的表达形态,并在进一步的对比研究中获得李沧东导演诗性表现策略机制的传统性与独特性。在总结归纳其诗性表现手法的基础上,笔者试图对李沧东导演的诗性思维进行探索,获得其东方哲思和西方现代思维双重影响下的诗性思维,并以电影作品《诗》为例,进一步论证其诗性思维的独特性,强调说明其诗性思维影响下的电影作品在韩国新电影版图中的重要作用。电影诗性作为电影艺术本体性征的重要方面,在电影创作和理论研究中均具有举足轻重的地位。而韩国的李沧东导演以诗性性征显著的电影作品获得国际影坛的广泛关注,仅以五部作品便在韩国新电影版图中占据重要地位,可见诗性性征对于当前电影创作仍具有重要意义。本研究试图考察李沧东导演在诗性思维的影响下所创作的电影作品的诗性性征的具体表现形态及其策略机制,以探究电影诗性在平衡电影产业属性和艺术属性的重要作用。整篇论文的总体架构如下：第一章：李沧东电影概述第二章：李沧东电影的诗性表达形态及其策略机制第三章：李沧东电影的诗性思维及其贡献
[Abstract]:As an important branch of cultural industry, film is a cultural product with the most global effect on cultural communication. At the moment when governments increasingly emphasize the importance of the development of cultural industry, the industrial property of the film has gained wide and deep attention from the global film industry. However, it is the film industry that pays attention to the development of the film industry. As the two scholars of Robert C Alan and Douglas Gomery emphasized in the book of film history: Theory and practice, the understanding of film must be built on an open cognitive perspective to observe and study the systematic nature of the film. Understanding is of great significance to film research and creative practice. Poetical, as an important principle and effective method of film art creation, has become an important aspect of film circles with its unique inner self conservation and visual spectacle. The excavation and exploration of the film poetic character have become the most important part of film theory and Practice. However, with the increasing emphasis on the effect of film industry, the study of poetic sexuality has gradually been neglected by film creators.
As one of the backbone forces of the new Korean film, the director of Li Cangdong, who enjoys the reputation of "the poet of life", makes a deep study and exploration of the poetic character of the film, and creatively integrates the film typization theory, the classic Hollywood narrative structure and other commercial elements into the expression of the poetic character by different from the other's courage and courage. In order to obtain the balance between the film art and the commercial nature of the film, a strong poetic temperament is not only reflected in the moderate grasp of the poetic language and the realistic style of the image expression, but also in his profound understanding of the poetic connotation, that is, the human torture on the basis of the deep humanistic care. The works have a cruel realism style, but unlike the same time Kim Ki-duk, Hong Shang show, his film works in the core of the injection of different social problems and contradictions in the process of social development, trying to show the truth, goodness and beauty of human nature in the objective reality of despair: his works are deep and profound. The Oriental philosophic thought, however, is different from the other directors emphasizing the poetic character of the sexuality. His image mirror system has a distinct character of the times and the hybridity of many types of elements. The research and practice of Li Cangdong's poetic sex is based on the reflection on the artistic character of the film, emphasizing the Oriental poetic philosophy. With the effective combination of western poetic expression techniques, the objective thinking of the universal problems in modern society and the spiritual torture of people and human nature in this era are obtained.
This article will start with the industrial context and cultural environment of director Li Cangdong's film creation, through the exploration of its social and cultural environment and the track of the development of Korean cultural industry, and on the basis of the induction of the course of Li Cangdong's creation, the main factors that Li Cangdong focus on the exploration of the movie poetic sex are obtained. Then, on the basis of tracing the poetic sex character, we can get the understanding of the poetic character of the film and make a clear demonstration of the argument of this thesis. Then, on the basis of the in-depth analysis of the five works of director Li Cangdong, it summarizes the poetic expression form of the film works, and obtains the poetic performance of Li Cangdong's director in the further comparative study. On the basis of summing up its poetic expression, the author tries to explore the poetic thinking directed by Li Cangdong, and obtains his poetic thinking under the dual influence of Eastern philosophy and western modern thinking, and takes the film works as an example to further demonstrate the uniqueness of his poetic thinking. The important role of film works under the influence of Ming's poetic thinking in the new Korean film layout.
As an important aspect of the noumenon of film art, film poetry plays an important role in both film creation and theoretical research, and the Korean director Li Cangdong has received extensive attention from the international film circles with remarkable poetic features. Only five works occupy an important position in the new film layout of South Korea, and the poetry is visible. Sex is still of great significance to the current film creation. This study tries to investigate the specific manifestation and strategy mechanism of the poetic character of film works produced by director Li Cangdong under the influence of poetic thinking, so as to explore the important role of film poetry in balancing the property and artistic attributes of the film industry.
The overall architecture of the whole paper is as follows:
Chapter one: an overview of Li Cangdong's films
The second chapter: Li Cangdong's poetic expression and its strategic mechanism.
The third chapter: Li Cangdong's poetic thinking and its contribution.

【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】