论不同类型喜剧的矛盾冲突

发布时间：2018-04-24 01:28

本文选题：喜剧性 + 不协调　；参考：《中国艺术研究院》2017年硕士论文

【摘要】：在喜剧理论研究中存在着许多悬而未决的问题,如喜剧分类和分类依据问题,矛盾冲突在戏剧理论中具有重要地位,对于喜剧创作者来说,了解不同类型喜剧的倾向有何不同,研究的本质应当从矛盾冲突中探寻。矛盾冲突决定了一部喜剧作品究竟是滑稽荒诞的?是讽刺入骨的?是幽默欢乐的?或是怪诞不经的?本文第一章从矛盾冲突的视角研究喜剧分类问题,归纳出对喜剧本质的把握对喜剧分类的重要性,矛盾冲突作为喜剧内在本质决定喜剧外在不协调的形式,因此,运动中的矛盾冲突的特殊形态造成了不同的喜剧倾向。第二章致力于梳理矛盾冲突表现在喜剧情境、喜剧人物、喜剧语言上的不协调,当喜剧内在的矛盾冲突与外在不协调可供挖掘的形式相结合,才构成喜剧矛盾冲突的基本方式。第三章着重分析矛盾冲突在不同类型的喜剧中的倾向的不同策略。滑稽喜剧的矛盾冲突侧重表达纯粹的喜剧性,而较少关注喜剧性的意义和旨趣,这种纯粹的喜剧性就是滑稽性;讽刺喜剧侧重表现否定性人物顺境向逆境的过渡历程;幽默喜剧侧重表现肯定性人物逆境向顺境的过渡历程;而怪诞喜剧则侧重表现无法解决的矛盾冲突的解构与变异。
[Abstract]:There are many outstanding problems in the study of comedy theory, such as the classification and classification of comedy, such as the issue of classification and classification of comedy, conflict conflict is of great importance in the theory of drama. For comic creators, how to understand different types of comedy, the essence of the study should be explored from conflict. Is it funny and absurd? Is it ironic and ironic? Is it humorous and joyful? Or is it weird? The first chapter of this article studies the problem of comedy classification from the perspective of conflict, and sums up the importance of the nature of comedy to the comedy classification, and the conflict as the internal essence of comedy determines the form of comic external incoordination, therefore, The special form of conflict and conflict in the movement causes different comic tendencies. The second chapter is devoted to combing contradictions and conflicts in comic situations, comic characters, and comic language incongruity, when comic conflicts and external incongruity can be combined in the form of excavating, the basic way of comic conflict and conflict is third. The chapter focuses on the analysis of different strategies for the tendency of conflicting conflicts in different types of comedy. The paradox of comic comedy focuses on the expression of pure comedy, but less attention to comic meaning and purport. This pure comedy is funny; ironic comedy focuses on the transition course of qualitative characters to adversity; humorous joy. The play focuses on the transition from positive to adversity, while grotesque comedy focuses on the deconstruction and variation of unresolved contradictions.

【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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