动画形象中的符号意义研究

发布时间：2018-04-27 09:19

本文选题：动画形象 + 符号学　；参考：《武汉纺织大学》2014年硕士论文

【摘要】：时代的进步与文化的发展变迁，赋予了动画形象新的内涵和外延。动画形象早已不是简单的供人娱乐的对像。一个足够吸引人的动画形象，能够产生巨大的经济价值，而动画形象背后的符号文化意义，对于研究一个地域的文化背景又提供了重要的信息参考价值，它不但折射了角色的性格特征，而且折射出民族的审美文化，科技的发展进步等。技术和文化的发展给予了动画形象空前的展示舞台，无论在表现力和传播方式上都有了巨大的突破。新时代下的动画形象带来的新特征、新运用更是极大的影响了人们的审美观以及价值观。本文从动画形象的文化角度和符号特征为突破口，以符号学理论为研究媒介，对动画形象进行深入的剖析，从而挖掘动画文化的深层结构以及动画符号的审美意义。本文在前人研究成果的基础上，，按照历史发展的脉络，纵向的梳理了动画形象在不同时期的不同发展特点。运用符号学理论，横向比较了不同国家不同地域文化对于动画形象的影响。着重分析了在新的“读图时代”语境下动画形象的发展特点，传播方式以及遇到的问题。文章第一部分对本课题研究的背景意义以及国内外研究状况进行了陈述。第二部分对动画的起源和发展进行了历史性的梳理。第三部分介绍了符号学理论的特征，是本文的理论研究手段。第四部分以符号学理论为研究手段通过不同国家的动画形象为实例，例证符号学在动画创作用的运用与发展。第五部分通过大量例证来讲解动画形象的符号意义是如何产生和传播的，阐述了动画形象的审美特征与审美趣味。第六部分对于我国动画形象发展中所遇到的问题提出了一些个人的思考与建议。
[Abstract]:The progress of the times and the development and change of culture endow the animation image with new connotation and extension. Animation is no longer a simple entertainment object. A sufficiently attractive animation image can produce enormous economic value, and the symbolic cultural significance behind the animation image provides an important information reference value for the study of the cultural background of a region. It not only reflects the character of the character, but also reflects the national aesthetic culture, the development and progress of science and technology. The development of technology and culture gives the animation image an unprecedented display stage, no matter in the expression and the way of communication has made a huge breakthrough. The new features brought by animation images in the new era have greatly influenced people's aesthetic standards and values. In this paper, from the perspective of animation culture and symbolic characteristics as a breakthrough, with the semiotics theory as the research medium, the animation image in-depth analysis, so as to excavate the deep structure of animation culture and the aesthetic significance of animation symbols. On the basis of the previous research results, according to the historical development, this paper combs the different development characteristics of animation images in different periods. By using semiotics theory, this paper compares the influence of different regional culture on animation image in different countries. This paper mainly analyzes the development characteristics, communication methods and problems of animation images in the context of the new "Reading Picture Age". In the first part, the background significance of the research and the research situation at home and abroad are stated. The second part of the animation of the origin and development of a historical comb. The third part introduces the characteristics of semiotics theory, which is the theoretical means of this paper. The fourth part exemplifies the application and development of semiotics in animation creation by taking the theory of semiotics as an example through the animation images of different countries. The fifth part explains how the symbolic meaning of animation image is produced and spread through a large number of examples, and expounds the aesthetic characteristics and aesthetic taste of animation image. The sixth part puts forward some personal thoughts and suggestions on the problems encountered in the development of animation image in China.
【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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