电影艺术中声音元素的叙事功能研究

发布时间：2018-04-28 20:45

本文选题：电影 + 声音　；参考：《聊城大学》2014年硕士论文

【摘要】：按照电影中声音的来源和画面表现对象的联系，可以把电影声音分为有声源声音和无声源声音。顾名思义，前者的声源处在与之同步的画面当中，后者又称“画外音”——凡是声源处在同步的画面之外的都属于“画外音”。更多情况下是按照不同的造型功能进行划分的，这种分类方法把电影中的声音分为人声、环境音响和音乐三种类别，更方便我们了解声音的作用和应用规则。这种划分方式除了牵涉到对听觉这三个组成部分的艺术处理以外，还涉及到了一部影片的创作过程中声音究竟应由谁来负责的问题。所以，在本文中我们遵循声音系统的整体概念去探究电影声音的叙事功能，而不是将其分割开来做单一剖析。本文在叙事学和语言学的基础上把声音元素作为叙事元素来考虑，从声音本体出发，而不是与影像对立或者独立出来；从整体的组合体展开，而不是进行肢解分析，是以冷静而客观的联合关照的态度，在叙事功能的维度上，对电影中的声音系统进行认知与探析。
[Abstract]:According to the relation between the source of sound and the object of picture expression, the sound of film can be divided into sound source sound and silent source sound. As the name implies, the source of the former is in sync with the picture, the latter is also called "voiceover"-any sound source outside the synchronous picture belongs to the "voiceover". More often, according to different modeling functions, this classification method divides the sound into three categories: human voice, ambient sound and music, which is more convenient for us to understand the function and application rules of sound. This division involves not only the artistic treatment of the three components of hearing, but also the question of who should be responsible for the sound in the process of creating a film. Therefore, in this paper, we follow the overall concept of sound system to explore the narrative function of film sound, rather than separate it for a single analysis. On the basis of narratology and linguistics, this paper considers the sound element as the narrative element, starting from the sound ontology, rather than being opposite or independent from the image, developing from the whole combination, rather than dismembering analysis. It is to understand and analyze the sound system in the film in the dimension of narrative function with a calm and objective attitude of combined care.
【学位授予单位】：聊城大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【相似文献】